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Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

Audiophile Classic - Extended HD2

KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia

Extended High Definition Mastering 2

DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World

Extended High Definition Mastering 2

Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue

Extended High Definition Mastering 2

GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes

Extended High Definition Mastering 2

Henry Mancini and his Orchestra
Pink Panther / Peter Gunn

Extended High Definition Mastering 2

Chet Atkins
In Hollywood - The most popular guitar

Extended High Definition Mastering 2

RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade

Extended High Definition Mastering 2

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

HAYDN, RAVEL, BRUCKNER, Wilhelm Furtwangler, Wiener Philharmoniker

Wilhelm Furtwangler conducts Haydn, Ravel, Bruckner

Galeria okładek

Disc: 1 1. Symphony No. 88 in G major ('Letter V'), H. 1/88: I. Adagio - Allegro 2. Symphony No. 88 in G major ('Letter V'), H. 1/88: II. Largo 3. Symphony No. 88 in G major ('Letter V'), H. 1/88: III. Allegretto 4. Symphony No. 88 in G major ('Letter V'), H. 1/88: IV. Allegro con spirito 5. Rhapsodie espagnole, for orchestra (or 2 pianos) Disc: 2 1. Symphony No. 4 in E flat ('Romantic'), WAB 104: I. Bewegt, nicht zu schnell 2. Symphony No. 4 in E flat ('Romantic'), WAB 104: II. Andante, quasi Allegretto 3. Symphony No. 4 in E flat ('Romantic'), WAB 104: III. Scherzo (Bewegt) - Trio 4. Symphony No. 4 in E flat ('Romantic'), WAB 104: IV. Finale - Bewegt, doch nicht zu schnell

Wilhelm Furtwangler - conductor
Wiener Philharmoniker - orchestra

HAYDN
RAVEL
BRUCKNER

69.00 PLN

2 CD:

Nr kat.: GM40074
Label : Golden Melodram

Never Released Before!

"Wilhelm Furtwängler (January 25, 1886 – November 30, 1954) was a German conductor and composer. He is widely considered to have been one of the greatest symphonic and operatic conductors of the 20th century. During the 1920s and 1930s, Furtwängler became one of the leading conductors in Europe, as principal conductor of the Berlin Philharmonic from 1922, as principal conductor of the Gewandhaus Orchestra from 1922–26, and as a major guest conductor of other leading orchestras such as the Vienna Philharmonic. He was the leading conductor who remained in Germany during the Second World War, and although not an adherent to the Nazi regime this decision caused controversy for the rest of his life. The extent to which his presence lent prestige to the Third Reich is still debated. Furtwängler's interpretive art is well documented in commercial and off-air recordings and this has led to him being revered by a large number of musicians, critics and record collectors since his death. Furtwängler's conducting style is often contrasted to that of his older contemporary Arturo Toscanini, whose work during this period was also widely documented. Like Toscanini, Furtwängler was a major influence on many later conductors, and his name is often mentioned when discussing their interpretive style. Unlike Toscanini, Furtwängler sought a weighty, less rhythmically strict, more bass-oriented orchestral sound with more conspicuous use of tempo inflections not indicated in the printed score."