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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Gerard Presencer
The Optimist
99.00 PLN
SACD Hybr:
Nr kat.: AKD166Label : Linn Records
A few years ago, Keith Jarrett remarked in the Guardian that the trouble with so much contemporary music was that too many people were trying to write their own. Jarrett's views can be unforgiving, but - like his arch-enemy Wynton Marsalis - he is a phenomenal improviser, one who mostly devotes that gift to the reinterpretation of other people's music. Jarrett and Marsalis would not have such big reputations if they had to stand or fall by their writing rather than their playing. Gerard Presencer, the young British trumpeter - though the flugelhorn is his favourite option - is also a virtuoso improviser, as he was expected to confirm when he appeared at the Jazz Cafe with his fusion group Platypus; playing music from their new album, The Optimist. Presencer's spontaneity, freshness of phrasing and rhythmic astuteness have recently moved to a level even higher than the standards he has applied since his mid-teens. On Tim Garland's tour with his British/American ensemble last year, the trumpeter sounded as if he could have played all night without repeating himself. Much the same happened in his solos at the Jazz Cafe. He likes the upper registers of the flugelhorn, but the more mellow instrument rounds the sonorities of the high notes. He mingles fragmentary, insinuating Miles Davis-like phrases with deft flourishes and squeezes embellishments into spaces they ought not to fit, without diminishing either their shapely designs or the momentum of the solo. The Guardian
