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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Duke Ellington, Ray Brown
This One's For Blanton
- A1 Do Nothin' Till You Hear From Me 5:30
- A2 Pitter Panther Patter 3:00
- A3 Things Ain't What They Used To Be 3:56
- A4 Sophisticated Lady 5:27
- A5 See See Rider 3:04
- Fragmented Suite For Piano And Bass
- B1 First Movement 4:47
- B2 Second Movement 5:07
- B3 Third Movement 3:35
- B4 Fourth Movement 4:59
- Duke Ellington - piano
- Ray Brown - double bass
289.00 PLN
LP-180G 33rpm:
Nr kat.: APJ154Label : Acoustic Sounds
Duke Ellington teams up here with bassist Ray Brown in a set reminiscent of Duke's work with Jimmy Blanton three decades before. In addition to the four-part "Fragmented Suite for Piano and Bass," the duo plays five standards (including "Pitter Panther Patter" from the Blanton days and three other Ellington-associated tunes). When he died in 1942, 21-year-old Blanton had liberated the string bass from its traditional role as an accompanist. Brown, and another Blanton disciple, Oscar Pettiford, carried forward Blanton's work of developing the bass into a solo instrument. Their contributions had a great deal to do with bebop's becoming a mature music. More than 30 years after Blanton's death, Brown went into a studio with Ellington to pay homage to his idol. Their duets echo the famous ones of Ellington and Blanton and demonstrate Brown's creativity and virtuosity on the Blanton model. Delightful and often playful music. Recommended. Mastered by Doug Sax at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a handsome Stoughton Printing tip-on gatefold jacket.
