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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
De PADILLA, ARAUJO, Ex Cathedra, Jeffrey Skidmore
New World Symphonies
- 1 Hanacpachap cussicuinin [4'00] Anonymous - traditional
- Missa Ego flos campi Juan Gutiérrez de Padilla (c1590-1664)
- 2 Movement 1: Kyrie [2'04]
- 3 Movement 2: Gloria [3'37]
- 4 Xicochi conetzintle [2'02] Gaspar Fernandes (1570-1629)
- Missa Ego flos campi Juan Gutiérrez de Padilla (c1590-1664)
- 5 Movement 3: Credo [6'20]
- 6 Los coflades de la estleya [5'21] Juan de Araujo (1648-1712)
- Missa Ego flos campi Juan Gutiérrez de Padilla (c1590-1664)
- 7 Movement 4: Sanctus and Benedictus [1'44]
- 8 Versa est in luctum [5'26] Alonso Lobo (1555-1617)
- Missa Ego flos campi Juan Gutiérrez de Padilla (c1590-1664)
- 9 Movement 5: Agnus Dei [1'38] Latin
- 10 Salve regina [12'25] Hernando Franco (1532-1585)
- 11 Qhapaq eterno Dios [1'23] Anonymous - traditional
- 12 Ut queant laxis [4'09] Juan de Araujo (1648-1712)
- Missa San Ignacio Domenico Zipoli (1688-1726)
- 13 Movement 1: Kyrie [4'20]
- 14 Movement 2: Gloria [10'01]
- 15 Convidando esta la noche [3'57] Juan García de Zéspedes (1619-1678)
- Ex Cathedra - orchestra
- Jeffrey Skidmore - conductor
- De PADILLA
- ARAUJO
Following the discovery of the Americas, Christianity and the Roman Catholic Church was established with incredible speed. Many of the Native Indians were part of highly sophisticated civilizations, most notably the Aztecs and the Incas, and were very responsive to the new ideas, especially music, which was already an important social and spiritual element in their lives. A staggering amount of music was subsequently created which, surprisingly, still remains little explored in today’s global age. This disc showcases some of the treasures from this important era in history, and includes works sung in Quechua (the language of the Incas) and Nahuatl (the language of the Aztecs). Works such as Padilla’s remarkable Missa Ego flos campi have elements of flowing polyphony from Old Spain combined with lively, often syncopated, short phrases reflecting New Spain. The instrumentation on this disc is also mesmerizing—many different instruments were used extensively, including recorders, chirimias, cornetts, sackbuts and bajons, frequently used to double or replace voices. In the words of the conductor, Jeffrey Skidmore, this fascinating disc spanning the late 16th, 17th, and early 18th centuries is “an inspiring beginners’ guide to Baroque music and a spiritual devotion that has a relevance and function as important today as in the brave New World of South America all those years ago”.