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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Coleman Hawkins, Oscar Peterson, Herb Ellis, Ray Brown, Alvin Stoller
The Genius of Coleman Hawkins
ZamknijGaleria okładek
- 1. I'll Never Be the Same
- 2. You're Blas'e
- 3. I Wished on the Moon
- 4. How Long Has This Been Going On?
- 5. Like Someone in Love
- 6. My Melancholy Baby
- 7. Ill Wind
- 8. In A Mellow Tone
- 9. There's No You
- 10. The World Is Waiting for the Sunrise
- 11. Somebody Loves Me
- 12. Blues for Rene
- Coleman Hawkins - tenor saxophone
- Oscar Peterson - piano
- Herb Ellis - guitar
- Ray Brown - double bass
- Alvin Stoller - drums
The trench warfare over the two very different playing styles of Lester Young and Coleman Hawkins came to an end with the date of this recording. At the Jazz at the Philharmonic concerts the two musicians even stood on the stage together. Following up on these JATP live events, the recording company Verve brought the rhythm group and "Hawk" into the studio. The standard numbers were well-known and well-practiced, the recording equipment was all set up and off they went. Just listen to the fabulous flow of improvisation - it was not first with this recording that Coleman Hawkins proved that he was the first tenor saxophonist who knew how to turn into music what he heard in his head. And then he has this gloriously warm yet thrilling sound; no matter whether it?s a slow tempo or a racy piece, "Hawk" remains superb, always recognizable and always an individualist. In the way he constructs his improvisations, one has the feeling that it just has to be like that, that there?s no other path to follow. It?s really a waste of time to try to pick out any one number - although they are all short, each and every one is a gem. The rhythm group deserves nothing but praise too. Or have you ever heard of a recording session where Peterson, Brown, Ellis and Stoller fail to add their own particular fire to pep up the soloist in the fast sections? The famous four are almost even better, however, in the ballads: reserved yet still giving the beat, simply great! Don?t miss this opportunity to buy some real "highlights": this LP certainly deserves its name.
