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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

Audiophile Classic - Extended HD2

KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia

Extended High Definition Mastering 2

DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World

Extended High Definition Mastering 2

Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue

Extended High Definition Mastering 2

GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes

Extended High Definition Mastering 2

Henry Mancini and his Orchestra
Pink Panther / Peter Gunn

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Chet Atkins
In Hollywood - The most popular guitar

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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade

Extended High Definition Mastering 2

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

CHOPIN, Jan Lisiecki, Krzysztof Urbanski, NDR Elbphilharmonia Orchester

Works for Piano & Orchestra

Utwory
Wykonawcy
Twórcy

Jan Lisiecki - Chopin: Works for Piano & Orchestra 01. Andante spianato and grande polonaise for piano & orchestra, Op. 22 - Andante spianato. Tranquillo - Semplice (4:39) 02. Andante spianato and grande polonaise for piano & orchestra, Op. 22 - Grande Polonaise brillante. Allegro molto (9:13) 03. Rondo ? la krakowiak for piano & orchestra in F major, Op. 14, CT. 194 - Introduzione. Andantino quasi Allegretto - Allegro molto (2:18) 04. Rondo ? la krakowiak for piano & orchestra in F major, Op. 14, CT. 194 - Rondo. Allegro non troppo - Poco meno mosso (11:26) 05. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Introduzione. Largo - Poco pi? mosso (4:45) 06. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Tema. Allegretto (1:23) 07. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Var. I. Brillante (1:02) 08. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Var. II. Veloce, ma accuratamente (0:59) 09. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Var. III. Sempre sostenuto (1:13) 10. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Var. IV. Con bravura (1:10) 11. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Var. V. Adagio (3:19) 12. Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Coda. Alla Polacca (3:46) 13. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41 - Largo non troppo (4:55) 14. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41 - Air: Juz miesiac zeszedl psy sie uspily (The moon had set, the dogs were asleep) Andantino (2:46) 15. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41 - Th?me de Charles Kurpinski. Allegretto - Presto con fuoco - Lento quasi Adagio - Molto pi? mosso (4:11) 16. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41 - Kujawiak. Vivace (3:05) 17. Nocturne for piano in C sharp minor (doubtful), KK Anh.Ia/6 - Lento con gran espressione (4:32)

Jan Lisiecki - piano
Krzysztof Urbanski - conductor
NDR Elbphilharmonia Orchester - orchestra

CHOPIN

139.00 PLN

SHM-CD:

Nr kat.: UCCG1764
Label : UNIVERSAL (Japan)

AllMusic Review by James Manheim [-] Although only 21 when this album appeared in early 2017, Polish-Canadian pianist Jan Lisiecki was no newcomer: he had already been on Deutsche Grammophon's roster since 2010 and released several recordings. The buzz surrounding Lisiecki, especially in Poland and its orbit, has been intense, and this recording will show the curious why. Lisiecki has yet to develop real power (and he's hampered by a rather distant NDR studio acoustic from DG), but the music on the program here, catching the moment when Chopin's distinctive style unfurled like a rare flower, fits his style uncannily well. These piano-and-orchestra works (and one posthumous piano nocturne) are not often performed. Probably the most popular piece is the Andante spianato and Grande Polonaise, Op. 22. Its solo piano introduction was composed after the fact and seems imperfectly joined to the polonaise, but Lisiecki's utterly arresting reading will make you forget all about that. Even better are the other piano-and-orchestra pieces, all of them normally counted as second-tier Chopin. Lisiecki doesn't just make a case for them; he calls the whole ranking into question. Sample the two movements of the the Rondo ? la Krakowiak, Op. 14, with Lisiecki setting up subtle tension between the opening pentatonic material and the lively krakowiak, Chopin's only essay in this dance form. The Lisztian Fantasy on Polish Airs, Op. 13, is a flashier work and is not quite as successful, but the Variations on "L? ci darem la mano," Op. 2, have an unusual dramatic sense. This is an extremely promising release from a young specialist in Chopin and Mozart. Jan Lisiecki - w naszej ofercie Tekst alternatywny
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