Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
Osobowości
SAMPLER HD-Mastering CD, Salvatore Accardo, Charles Dutoit, London Philharmonic Orchestra
Magic Violin
AAD is a Digital Copy Of
The Master Tape
SAMPLER HD-Mastering CD, SARASATE, PAGANINI, Salvatore Accardo, Charles Dutoit, London Philharmonic Orchestra
Carmen Fantasie / Zigeunerweisen / La Campanella / Il Carnevale di Venezia
AAD is a Digital Copy Of
The Master Tape
SAMPLER HD-Mastering CD, VIVALDI, SAINT-SAENS, MASSENET, Ruggiero Ricci, Malcolm Howard
The Soul of Stradivari
AAD is a Digital Copy Of
The Master Tape
BIZET, Ruggiero Ricci, Pierino Gamba
Carmen Fantaisie / Zigeunerweisen / Havanaise
CZY DŹWIĘK MOŻE BYĆ CICHSZY OD CISZY?
BRAHMS, Sir Charles Mackerras, Scottisch Chamber Orchestra
Symphony No. 3 in F major / Symphony No. 4 in E minor, Op. 98
Johannes Brahms - The four symphonies
01. Symphony No. 3 in F major, Op. 90 - I. Allegro con brio (12:22)
02. Symphony No. 3 in F major, Op. 90 - II. Andante (8:33)
03. Symphony No. 3 in F major, Op. 90 - III. Poco allegretto (6:19)
04. Symphony No. 3 in F major, Op. 90 - IV. Allegro (8:43)
05. Symphony No. 4 in E minor, Op. 98 - I. Allegro non troppo (12:07)
06. Symphony No. 4 in E minor, Op. 98 - II. Andante moderato (10:42)
07. Symphony No. 4 in E minor, Op. 98 - III. Allegro giocoso (6:09)
08. Symphony No. 4 in E minor, Op. 98 - IV. Allegro energico e passionato (10:12)
- Sir Charles Mackerras - conductor
- Scottisch Chamber Orchestra - orchestra
- BRAHMS
As superb as the playing of the Scottish Chamber Orchestra is in Charles Mackerras' recordings ofBrahms' Third and Fourth symphonies -- as clean, as crisp, as colorful, as virtuosic -- one has to say that, in the final analysis, one wishes Mackerras had used the London Symphony or the Vienna Philharmonic or the Czech Philharmonic instead. As hearteningly warm as the Scots' winds playing is, as heroic as the brass playing is, as sweet as the string playing is, in the big moments, in the bigger climaxes, in the final codas, one wishes Mackerras had used an orchestra with a full-sized string section. As poignant as the winds are in the Poco allegretto of the Third, one wishes Mackerras had a bigger band to tear into the climax of the development of the closing Allegro. As moving as the cellos are in the recapitulation of the Andante moderato of the Fourth, one wishes Mackerras had a larger ensemble to blast the opening theme of the closing Allegro enegrico e passionato. Because while one can only applaud the Scots' playing and admire Mackerras' interpretations, a late-Romantic orchestra really is the most appropriate medium for late-Romantic symphonies. Telarc's sound is deep, open, and true.
Review by James Leonard