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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

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ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

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LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

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BEETHOVEN, Maurizio Pollini

Piano Sonatas Nos. 28-32

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Maurizio Pollini - Beethoven: Piano Sonatas Nos. 28-32 Piano Sonata No. 30 in E major, Op. 109 - 01. I. Vivace, ma non troppo (3:14) 02. II. Prestissimo (2:16) 03. III. Gesangvoll, mit innigster Empfindung (12:36) Piano Sonata No. 31 in A flat major, Op. 110 - 04. I. Moderato cantabile molto espressivo (6:04) 05. II. Allegro molto (1:57) 06. III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo (9:40) Piano Sonata No. 32 in C minor, Op. 111 - 07. I. Maestoso - Allegro con brio ed appasionato (8:46) 08. II. Arietta. Adagio molto semplice e cantabile (17:21)

Maurizio Pollini - piano

BEETHOVEN

449.00 PLN

SACD Hybr:

Nr kat.: ESSG90150
Label : Esoteric (Japan)

ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR

AllMusic Review by Blair Sanderson [-] Because Beethoven's late piano sonatas are universally revered, performances of these works often invite passionate disagreements about the proper way to interpret them. Such was the case with Maurizio Pollini's recordings (1975-1977), and the controversy surrounding them has never fully abated. While these performances are polished to an extent seldom realized on other recordings, it was this pristine quality itself that invited criticism. Pollini was alleged to have objectified the music and detached himself emotionally from his performances, leaving only cold, analytical readings without a trace of feeling. In defense, it should be pointed out that many previous performances were overly burdened with Romantic interpretations and pretensions, and that Pollini performed a great service by presenting the sonatas in as accurate and clean a manner as possible, without grandiose effects. His performances are astonishingly lucid and flowing, especially in the many contrapuntal passages that regularly appear as features of these works. The last five sonatas are admirably served by Pollini's control and precision, and whatever doubts are held about his emotional involvement may be dismissed when the slow movements of Opp. 109 and 111 are heard. These are sublime performances with a high level of immediacy and skill and are strongly recommended