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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
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La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
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DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BACH, Palladian Ensemble
Trio Sonatas
- Palladian Ensemble - group
- BACH
54.00 PLN
CD:
Nr kat.: HONCD5036Label : Linn Records
BBC Music Magazine By transcribing four of Bach's organ sonatas, the Palladian Ensemble has, quite legitimately, reversed Bach's own ingenious concept of placing a trio under the hands, and feet, of a single player. There's a wonderful sense of communication between recorder, violin and cello, interweaving and imitating each other. The exhileration of fast movements is heightened by the plucked continuo, variously, guitar, archlute and theorbo - the opening of BWV 529, effectively a concerto, is breathtaking... Between the sonatas are four duets, rarely heard pieces in which Bach indulges his fancy in a remarkable range of devices-fugue, canon, inversion...The disc ends with similar contrapuntal delights, 14 canons which Bach jotted down on the back of his own copy of the Goldberg Variations. There's a droll solution to the problem of ending 'perpetual canons' - the players simply fade away. If this is an ensemble in search of a repertoire, they've found a highly effective one. In the trio sonatas especially, they shed fresh light on Bach with their extrovert playing and sense of uninhibited elation.