Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.

Logowanie

BACH, Janos Starker

Suites for Unaccompanied Cello Complete

Johann Sebastian Bach (1685-1750) SUITE NO. 1 IN G SIDE ONE: Praeludium Allemande Courante SIDE TWO: Sarabande Menuets Gigue SUITE NO. 2 IN D MINOR SIDE THREE: Praeludium Allemande Courante SIDE FOUR: Sarabande Menuets Gigue SUITE NO. 3 IN C SIDE FIVE: Praeludium Allemande Courante SIDE SIX: Sarabande Bourrées Gigue SUITE NO. 4 IN E-FLAT SIDE SEVEN: Praeludium Allemande Courante SIDE EIGHT: Sarabande Bourrées Gigue SUITE NO. 5 IN C MINOR SIDE NINE: Praeludium Allemande Courante SIDE TEN: Sarabande Gavottes Gigue SUITE NO. 6 IN D SIDE ELEVEN: Praeludium Allemande Courante SIDE TWELVE Sarabande Gavottes Gigue
  • Janos Starker - cello
  • BACH

Produkt w tej chwili niedostępny.

PREMIERA

TAS Super LP List! Special Merit: Classical Michael Fremer Rated 11/10 Music, 11/10 Sonics! 180g 45rpm Double LP! Cut Directly From Original 3-Track, First-Generation Master Tapes by Ryan K. Smith at Sterling Sound! Plated & Pressed at Quality Record Pressings! The 3LP classic set now a 6LP 180-gram set cut at 45 RPM! 45 RPM mastering enables full dynamics present on the master tapes! Cut directly from the original 3-track, first-generation master tapes at 45rpm by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 Tape Machine customized with 3-track flux magnetics heads These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used. Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used. The definitive recording and performance of these works by JS Bach was originally released as a 3LP Mercury Living Presence Stereo SR3-9016, original mint copies of which command hundreds of dollars on the preowned LP market. Hungarian-American cellist János Starker epitomized refined elegance and superbly subtle bow work. Starker, who died in April 2013, was one of the 20th century's most renowned cellists. Starker's recording of the Suites from 1965 makes a lasting impression on the listener, and even record producers who are well used to recorded excellence have been highly impressed. Starker's full-bodied sound and technical brilliance are complemented by his finely chiseled interpretation that lends immense expression to Bach's thrilling harmony and verve to the strict rhythmic construction of the movements. This 6LP set, cut at 45 RPM, allows for the full dynamics present on the master tapes to shine through masterfully, as the wider-spaced grooves across the six sides, instead of three, let your stereo cartridge track more accurately. Housed in a foil-stamped slipcase reproducing the original artwork. Plated and pressed at Quality Record Pressings, makers of the world's finest-sounding LPs. The finest version of these historic recordings, is without a doubt, this latest one from Analogue Productions and the sound is unassailable. -Michael Fremer, Analog Planet, Music 11/10, Sound 11/10

 

Razem z tą płytą inni Melomani kupowali: