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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
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La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
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Extended High Definition Mastering 2
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kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
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Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
- Arne Domnerus - saxophone
- Bengt Hallberg - piano
- Georg Riedel - bass
- Egil Johansen - drums
1299.00 PLN
4 Ultimate OSLP:
Nr kat.: AN2202Label : Audio Nautes
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
Numbered, Limited Edition One-Step 4LP Box Set! Lacquers Cut by Scott Hull at Masterdisk! Pressed on 45rpm 180g Vinyl at Optimal! AudioNautes proudly offers this one-step limited edition version of Jazz at the Pawnshop, featuring the program as a 4LP 45 RPM recording. One of the most famous audiophile cult recordings, Jazz at the Pawnshop is widely regarded as a reference recording, one of the most natural-sounding live jazz reproductions of all time. Jazz at the Pawnshop originated with recording engineer Gert Palmcrantz, who was loading his car with recording equipment outside Europa Film Studios in Stockholm, Sweden on December 6, 1976. No one really knew then that it was to become a cult recording among audiophiles and one of the most famous and respected jazz recordings ever made. The 1STEP Process: The Impex 1STEP process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.