Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Tom Braxton
Bounce
- Tom Braxton - Bounce
- 01. No Worries (4:00)
- 02. Word On The Street (4:50)
- 03. Bounce (4:11)
- 04. Bermuda Nights (5:11)
- 05. Just You, Just Me (4:30)
- 06. Forever And A Day (5:31)
- 07. Julian's Smile (4:55)
- 08. Let's Stay Together (4:54)
- 09. Reminiscing (3:37)
- 10. By The Fire (3:43)
- 11. Hip Church (4:14)
- 12. Hip Church (Reprise) (1:09)
- Tom Braxton - saxophone
64.00 PLN
CD:
Nr kat.: REN5109Label : Rendezvous
AllMusic Review by Stewart Mason True to its title, alto saxophonist Tom Braxton's fifth solo album is a decidedly upbeat collection of smooth jazz grooves. Produced and largely written by Braxton's mentor, guitarist Wayman Tisdale, these 12 songs have an easy, light groove, with Braxton's Grover Washington, Jr.-like melodic phrasing laid over a blend of synths, rubbery fretless bass, Tisdale's tasteful rhythm guitar, drum machines, and hand percussion. Occasional low-key vocals like the nonsense chants that waft up on "Bermuda Nights" don't detract from the mellow, unhurried feel of Braxton and Tisdale's grooves, but neither do they add much. Conversely, Cassandra Robertson's R&B diva approach overpowers the slight "Forever and a Day." As is often the case with this style of music, Bounce is an unfailingly pleasant, but unexceptional, album that sounds appealing enough when it's on but isn't compelling enough to get excited about.
