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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
STANFORD, RTE Vanbrugh Quartet
String Quartets Nos 1 & 2
- RTE Vanbrugh Quartet - quartet
- STANFORD
59.00 PLN
CD:
Nr kat.: CDA67434Label : Hyperion
Think of Stanford and the genre of the string quartet probably won’t come to mind. But he composed no fewer than eight such works over a twenty-eight year period, inspired by his friendship with the great violinist Joseph Joachim. Stanford had already composed a number of large-scale chamber works before he began his first string quartet in the summer of 1891, when he was thirty-nine; the second string quartet followed immediately during a burst of dazzling creativity. Both quartets are serious, big-boned works that show Stanford’s mastery of the idiom and ability as a contrapuntist, although they generally display textures that are lighter and more transparent than the thicker palette of Brahms (with whom Stanford is sometimes compared). These delightful works also reveal Stanford’s love of song and lyricism. Throughout, the RTÉ Vanbrugh Quartet plays with a rare sensitivity and a natural eloquence. The Horn Fantasy—a later work, dating from 1922—is dramatic, compelling and flawlessly written for the genre (a rare combination of instruments and quite possibly composed as a tribute to Mozart, whom Stanford greatly admired), and it is superbly played by Stephen Stirling. All works are here recorded for the first time
