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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Rene Marie
Serene Renegade
- Rene Marie - vocal
79.00 PLN
CD (digi):
Nr kat.: MXJ120Label : MaxJazz (USA)
AllMusic Review by Stewart Mason [-]
The fourth album by Virginia-born, Atlanta-based jazz vocalist/songwriter Rene Marie is her most quirky and idiosyncratic set yet, and therefore possibly the one truest to herself. Marie wrote nine of the 11 songs herself, the two covers being the unexpected pairing of the standard "Lover Man" (most often associated with Billie Holiday, a singer Marie otherwise has little in common with) and, of all things, a West Coast cool ballad version of "A Hard Day's Night" featuring an extended bass solo. On the originals, Marie channels elements of Ran Blake (the Boston-based pianist whose cerebral deconstructions of cool jazz Marie's own solos occasionally recall), Nina Simone (especially on the startlingly direct, partially a cappella closer, "Ode to a Flower"), and even Joni Mitchell's mid- to late-'70s work. The opening "Red Shoes," a song of sisterly celebration, would not sound out of place on Mitchell's Hejira, or on one of Carla Bley's more straightforward albums. Although she's a canny arranger and an exceedingly talented piano player (talents exhibited on the witty, samba-fied "Rufast Daliarg"), Rene Marie is first and foremost a singer, and it's the warmth of her voice, which matches crisp diction à la Simone with the husky sensuality of a Nancy Wilson, that makes the aptly titled Serene Renegade so appealing.
