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Moscheles - Loredana Brigandi

Rendezvous Musical

Side 1: Francois Francoeur (1698-1787) 1. Adagio Cantabile - Allegro Vivo Joseph Haydn (1732-1809) 2. Tempo di Minuetto Carl Maria Von Weber (1786-1826) 3. Larghetto - Rondo Frederic Chopin (1810-1849) 4. Nocturne Op. 9, No. 2 Side 2: Nikolai Rimsky-Korsakov (1844-1908) 1. Hymne an die Sonne 2. Hummelflug Robert Schumann (1810-1856) 3. Adagio und Allegro Op. 70 Side 3: Charles Gounod (1818-1893) 1. Ave Maria (Meditation) Pyotr Ilyich Tchaikovsky (1840-1893) 2. Valse Sentimentale Op. 51, No. 6 Johannes Brahms (1833-1897) 3. Feldeinsamkeit Op. 86, No. 2 David Popper (1843-1913) 4. Elfentanz Op. 39 (Dance of The Elves) Antonin Dvorak (1841-1904) 5. Rondo Op. 94 Side 4: Camille Saint-Saens (1835-1921) 1. Der Schwan Niccolo Paganini (1782-1840) 2. Variationen Uber Ein Thema Aus der Oper Bonus Track - previously unreleased: Pyotr Ilyich Tchaikovsky 3. Pezzo Cappriccioso Op. 62 Recorded January 8-10, 1969
  • Loredana Brigandì, piano
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259.00 PLN

2 LP-180G 33rpm:

Nr kat.: LP43110
Label  : Analogphonic

Cellist Pierre Fournier is accompanied by pianist Lamar Crowson for compositional works written for the cello by such composers as Haydn, Weber, Chopin, Tchaikovsky, Brahms, Saint-Saens and more. "Fournier?s tone is a constant delight, warmly lyrical yet with a plangent edge that does wonders for the more pleading episodes of Dvorak?s Rondo ? a work written for the cello, and making the fact very clear. His phrasing is beautifully shapely in cantabile. And when scurrying around in Francoeur?s Allegro vivo, Rimsky-Korsakov?s Bumble-bee and Popper?s Elfentanz, he brings a bite to the accentuation which keeps the rhythm both tingling and disciplined. The Weber is a pleasant surprise, but I particularly enjoyed the Dvorak, the Schumann (meant for the horn but with cello as an op-tional alternative) and the Brahms... Brahms?s particular brand of deep-hued sentiment is wholly at one with the soul of the cello." - Gramophone