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PRIMA VOCE, Emilio de Gogorza

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Vocal Recital: Gogorza, Emilio de - GOUNOD, C.-F. / THOMAS, A. / MASSENET, J. / MOZART, W.A. / PALADILHE, E. / YRADIER, S. / SCUDERI, S. (1903-1928) 1:58:09 DISC 1 Faust, Act I: Avant de quitter ces lieux (Sung in Italian) 2:24 Hamlet (excerpts) Thomas, Ambroise-Classical Composer | Carre, Michel-Lyricist | Barbier, Jules-Lyricist | Gogorza, Emilio de-baritone | Sembrich, Marcella-soprano Act I: Doute de la lumiere 4:18 Act II: O vin, dissipe la tristesse 3:47 Le roi de Lahore, Act IV: Promesse de mon avenir 3:52 Herodiade, Act II: Vision fugitive 4:13 Patrie!: Air du Sonneur 4:04 Faust, Act I: Avant de quitter ces lieux (Sung in Italian) 4:25 Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Duet: Crudel! Perche finora 3:06 Don Giovanni, K. 527 (excerpts) Mozart, Wolfgang Amadeus-Classical Composer | Ponte, Lorenzo da-Lyricist | Gogorza, Emilio de-baritone | Eames, Emma-soprano Act I: Duettino: La ci darem la mano 3:22 Act II: Canzonetta: Deh, vieni alla finestra 1:56 La damnation de Faust, Op. 24, Part III: Devant la maison, "Serenade of Mephistopheles" 1:57 Tannhauser: O du mein holder Abendstern 3:41 Rigoletto, Act I: Pari siamo! 4:06 Il trovatore, Act IV: Mira, di acerbe lagrime 3:48 Un ballo in maschera, Act III: Eri tu che macchiavi quell'anima 4:40 Benvenuto Cellini: De l'art splendeur immortelle 4:10 Pagliacci, Act I: Prologue: Si puo? Si puo? 3:40 La chanson de Fortunio: Si vous croyez 2:28 DISC 2 La Sevillana 3:00 Dormi pure 3:34 Mandolinata 2:57 Caro mio ben 3:35 La Paloma 4:06 Noche Serena 2:45 El celoso 2:15 A la luna 3:03 Non e ver 4:29 Comme se canta a Napule 2:57 Teresita mia 3:00 Drink to Me Only with Thine Eyes 3:12 Pipes of Pan 4:05 Crucifix 3:04 Menuet 2:50 Bergere legere 2:08 Voici que le printemps 3:12
  • PRIMA VOCE - serie
  • Emilio de Gogorza - baritone
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49.00 PLN

2 CD:

Nr kat.: NI7922
Label  : Nimbus Records

Among the most stylish singers of his day, Gogorza was also distinguished by his having no stage career but, from the first, a particularly close association with the gramophone. His voice was vibrant and of a richly attractive quality, and he made plenty of operatic records which show him, in that respect and as far as we can judge, well-equipped for the standard baritone roles, especially those in Mozart and the French repertoire. He was, however, short in stature (described as a ‘dapper little man’) and extremely short-sighted, lost without his spectacles. His recitals were much admired and it was on these that his reputation as a "live" singer was based.


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