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BEETHOVEN, Isaac Stern, Leonard Bernstein, New York Philharmonic
Violin Concerto Opus 61

ORFF, Philadelphia Orchestra, Eugene Ormandy
Carmina Burana

BARBER, VAUGHAN-WILLIAMS, TCHAIKOVSKY, MAHLER, Leonard Bernstein
Adagio

MOZART, Bruno Walter, Columbia Symphony Orchestra
Eine Kleine Nachtmusik / Masonic Funeral Music

HEROLD, SUPPE, ROSSINI, THOMAS, Leonard Bernstein
Favorite Overtures

BIZET, Leopold Stokowski
Carmen and L'Arlesienne Suites

MUSSORGSKY, Leonard Bernstein, New York Philharmonic
Pictures at an Exhibition / Night on Bald Mountain

Muzyczne Menu

ENCYKLOPEDIA arcydzieł

SCHUBERT, Gunter Wand, Berliner Philharmoniker
Symphony 8 & 9

TCHAIKOVSKY, STRAUSS R., Pierre Monteux, Boston Symphony Orchestra
Symphony IV / Death and Transfiguration

WAGNER, STRAUSS R., Chicago Symphony Orchestra, Fritz Reiner
Die Meistersinger von Numberg / Gotterdammerung / Don Juan

BRUCKNER, NDR Sinfonie-Orchester, Gunter Wand
Symphony Nr. 8 - 2 SHM-CD

SCHUMANN, PROKOFIEV, LISZT, CHOPIN, Evgeny Kissin
Carnegie Hall Debut Concert - September 30, 1990

Jeden z najbardziej spektakularnych debiutów ostatniego półwiecza!

RAVEL, Lorin Maazel, Vienna Philharmonic
Bolero, La Valse, Daphnis et Chloe - Suites 1 & 2, Rapsodie Espagnole

RACHMANINOV, Valdimir Horowitz, New York Philharmonic, Eugene Ormandy
Piano Concerto No. 3 in D Minor, Op. 30 // Piano Sonata No 2. in B-Flat Minor, Op. 36

BEETHOVEN, BRAHMS, Jascha Heifetz, Charles Munch, Fritz Reiner
Violin Concertos

BEETHOVEN, Phyllis Curtin, John McCollum, Florence Kopleff, Donald Gramm, Fritz Reiner
Symphony No.9 / Coriolan

BRAHMS, Arthur Rubinstein, Henryk Szeryng
Brahms Violin Sonatas

Winylowy niezbędnik

ClearAudio
Docisk CONCEPT - Plattenklemme, Record Clamp

Nieodzowny!

ClearAudio
Cartridge Alignment Gauge - uniwersalny przyrząd do ustawiania geometrii wkładki i ramienia

Jedyny na rynku, tak wszechstronny i właściwy do każdego typu gramofonu!

ClearAudio
VTA Lifter - winda do nieba

ClearAudio
Maestro V2 MM

perfekcja, elegancja, wirtuozeria

ClearAudio
Harmo-nicer - nie tylko mata gramofonowa

Najlepsze rozwiązania leżą tuż obok
IDEALNA MATA ANTYPOŚLIZGOWA I ANTYWIBRACYJNA.

Osobowości

BRAHMS, Erica Morini, Artur Rodzinski, Philharmonic Symphony Orchestra of London
Violin Concerto in D Major, Op. 77

SKROWACZEWSKI, Stanislaw Skrowaczewski, Minnesota Orchestra
Concerto Nicolo for piano left hand and orchestra

WORLD PREMIERE!

CHOPIN, Vlado Perlemuter
Paino Works

BACH, Mieczyslaw Horszowski
The Well-Tempered Clavier, Book One

Valdimir Horowitz, Gregor Piatigorsky, Rudolf Serkin, Nathan Milstein, Wanda Landowska
Great Musicians in Copenhagen 1932-1934

MOZART, Alfred Brendel

Felicity Lott sings favourite songs

Galeria okładek

Rondo in A minor K. 511; Piano Sonatas - in A Major K. 331, - B-flat Major K. 570; - C Major K. 330 - See more at: https://www.classicstoday.com/review/review-4397/#sthash.8NXarTtx.dpuf

Alfred Brendel - piano

MOZART

Produkt w tej chwili niedostępny.

The B-flat and C Major Sonatas (K. 570 and 330 respectively) are, I believe, new to Alfred Brendel’s Mozart discography. The B-flat was recorded live at the Concertgebouw, and features an intense, propulsive first movement, plus a lean, concentrated Adagio that achieves a rare fusion of tension and repose. Brendel’s sourball staccato articulation in the Allegretto, on the other hand, undermines the music’s cheery countenance, and the delicious chromaticisms die on the vine. Similarly, K. 330′s Allegro Moderato speaks in fussy phrases riddled with cloying diminuendos, mincing accents, and pedaled as opposed to fingered legato. Brendel reads between the finale’s sparkling lines before he delivers them, robbing the music of its wit and sparkle. While Brendel grimaces and hums along, he rarely sings. Fortunately, the disc’s opening selections are better. The live A minor Rondo surpasses Brendel’s two previous recordings (on Vanguard and Philips) for stylish perception and dramatic involvement. Brendel replicates his elegant, musicianly K. 331 A Major Sonata from 1976 to more three-dimensional effect in this live remake. The hedonistic “Turkish” rolled chords in the famous Rondo and busy fingerwork in the opening variations come off with earthier bite too. The CD cover photo depicts the pianist facing you with hands in the air, looking as if he is either going to lecture or strangle you. - See more at: https://www.classicstoday.com/review/review-4397/#sthash.8NXarTtx.dpuf