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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Milt Jackson
Invitation
Milt Jackson - Invitation
01. Invitation (3:55)
02. Too Close for Comfort (5:15)
03. Ruby, My Dear (4:27)
04. The Sealer (6:33)
05. Poom-A-Loom (6:55)
06. Stella by Starlight (4:00)
07. Ruby (5:53)
08. None Shall Wander (3:57)
BONUS
09. Ruby, My Dear (4:16)
10. None Shall Wander (3:57)
- Milt Jackson - vibraphone
w technologii Ultradisc II_TM na nosniku SACD HYBR
Discovered by Dizzy Gillespie (whose 40's rhythm section left to form the initial line-up of the esteemed Modern Jazz Quartet) , Milt "Bags" Jackson was a preeminent vibes virtuoso and enjoyed over forty years as one-fourth of the MJQ (Milt Jackson Quartet). Jackson also enjoyed decades of solo work for great jazz labels such as Savoy, Riverside and Atlantic and one of his crowning achievements occurred over a three day session booked for Riverside in 1962. Answering his 'invitation' were fellow all-stars Kenny Dorham, Jimmy Heath, Ron Carter and Tommy Flanagan. The trumpet / tenor tandem uniquely augment Jackson's vibraphone, creating a driving, free-wheeling, classic blowing session.
