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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
GUERRERO, Westminster Cathedral Choir, James O'Donnell
Missa Sancta et immaculata
- Missa Sancta et immaculata
- 1 Movement 1: Kyrie [4:29]
- 2 Movement 2: Gloria [5:53]
- 3 Movement 3: Credo [9:16]
- 4 Movement 4: Sanctus [3:41]
- 5 Movement 5: Benedictus [3:01]
- 6 Movement 6: Agnus Dei [3:36]
- 7 Hei mihi, Domine [4:40]
- 8 Trahe me post te, virgo Maria [4:26]
- 9 Magnificat septimi toni [7:33]
- 10 Vexilla regis [10:40]
- 11 O lux beata Trinitas [3:24]
- 12 Lauda mater ecclesia [3:00]
- Westminster Cathedral Choir - choir
- James O'Donnell - conductor
- GUERRERO
25.00 PLN
CD:
Nr kat.: CDH55313Label : Hyperion
RECORD OF THE MONTH, CLASSIC FM MAGAZINE 'Exhilarating, full of variety, and spiritually uplifting. Westminster Cathedral Choir are on their very best form, incisive and thrilling. Very highly recommended' (Gramophone) 'Spellbinding: a really magnificent achievement' (Goldberg) 'The music and performances on this disc defy superlatives - just go out and buy it!' (Early Music Today) ------------------------------ Guerrero, Victoria and Morales together comprise the triumvirate at the pinnacle of the Spanish Renaissance, and of these Guerrero was without doubt the most highly respected in his time. Missa Sancta et immaculata comes from his first published collection of Masses (1566) and takes its theme from Morales's motet Sancta et immaculata virginitas ('Holy and immaculate virginity'). Guerrero expands the original four-part texture to include a second soprano line, and the resultant shimmering texture marks this out to be a truly remarkable Mass. This is its first recording. Two motets, a Magnificat setting, and three Vesper hymns complete this recording, the latter works beginning a long-overdue exploration of the wealth of Hispanic melody, a unique treasury in the chant repertoire. Lauda mater ecclesia is an extraordinary work setting a - somewhat smutty - text (now removed from the liturgy) in honour of Mary Magdalen.