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GRIEG, Hideyo Harada

Lyric pieces

Utwory
Wykonawcy
Twórcy

Hideyo Harada - Grieg: Lyric Pieces (H. Harada) 01. Melodie op. 38 Nr. 3 C-dur [Allegretto] (2:02) 02. Vöglein op. 43 Nr. 4 d-moll [Allegro leggiero] (1:44) 03. Erotik op.43. Nr. 5 F-dur [Lento molto] (3:08) 04. An den Frühling op.43. Nr.6 Fis-dur [Allegro appassionato] (3:12) 05. Melodie op 47 Nr. 3 a-moll [Allegretto] (4:06) 06. Schmetterling op. 43 Nr. 1 [Allegro grazioso] (2:05) 07. Berceuse op. 38 Nr. 1 G-dur [Allegretto tranquillo] (2:59) 08. Bächlein op. 62 Nr. 4 h-moll [Allegro leggiero] (1:43) 09. Entschwundene Tage op. 57 Nr. 1 F-dur [Andantino] (6:57) 10. Albumblatt op. 47 Nr. 2 F-dur [Allegro vivace e grazioso] (3:35) 11. Valse-Impromptu op. 47 Nr. 1 e-moll [Allegro con moto] (3:04) 12. Traumgesicht op. 62 Nr.5 A-dur [Poco Andante ed espressivo] (2:54) 13. Norwegisch op. 12 Nr. 6 D-dur [Presto marcato] (1:00) 14. Heimweh op. 57 Nr. 6 e-moll [Andante] (4:38) 15. Scherzo op. 54 Nr. 5 e-moll [Prestissimo leggiero] (3:16) 16. Zu deinen Füßen op. 68 Nr. 3 D-dur [Poco Andante e molto espressivo] (3:06) 17. Hochzeitstag auf Troldhaugen op. 65 Nr. 6 D-dur [Tempo di Marcia un poco vivace] (6:48) 18. Geheimnis op. 57 Nr. 4 G-dur [Andante espressivo] (5:06) 19. Sylphe op. 62 Nr. 1 h-moll [Allegretto con moto] (1:43) 20. Abend im Hochgebirge op. 68 Nr. 4 e-moll [Allegretto] (3:46) 21. Zug der Trolle op. 54 Nr. 3 d-moll [Allegro moderato] (3:09) 22. Notturno op. 54 Nr. 4 C-dur [Andante] (4:46)

Hideyo Harada - piano

GRIEG

109.00 PLN

SACD Multi-CH:

Nr kat.: AUD92555
Label : Audite

The "Lyric Pieces" by Edvard Grieg have long formed part of standard repertoire for musical recitals in the home; they were also excellent encores when pianists wished to thank their audience with a poetic gesture. In this recording, Hideyo Harada recalls the important tradition of these "songs without words" to memory. Out of the total of 66 "Lyric Pieces" composed by Grieg in the course of his life, Hideyo Harada has selected 22 and arranged them into a drama of subtle shifts and abrupt contrasts, into a tale of timbres, musical forms, and characters. In the groups of pieces as well as in each piece itself, Hideyo Harada maintains the dramatic tension which is the heart of Romantic musical poetry: And thus each piece is self-consistent and logical, clearly formed and yet with its own characteristics and with a quasi-visual force of presence.