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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
FAURE, Vlado Perlemuter
Nocturnes / Barcarolle / Impromptu
ZamknijGaleria okładek
- 1. Theme and Variations in C sharp minor, Op. 73: Theme - Quasi Adagio 1:52
- 2. Theme and Variations in C sharp minor, Op. 73: Variation I - Lo stesso tempo 0:56
- 3. Theme and Variations in C sharp minor, Op. 73: Variation II - Più mosso 0:53
- 4. Theme and Variations in C sharp minor, Op. 73: Variation III - Un poco più mosso 0:42
- 5. Theme and Variations in C sharp minor, Op. 73: Variation IV - Lo stesso tempo 1:17
- 6. Theme and Variations in C sharp minor, Op. 73: Variation V - Un poco più mosso 0:44
- 7. Theme and Variations in C sharp minor, Op. 73: Variation VI - Molto adagio 1:18
- 8. Theme and Variations in C sharp minor, Op. 73: Variation VII - Allegretto moderato 0:50
- 9. Theme And Variations In C Sharp Minor, Op. 73: Variation VIII - Andante Molto Moderato 1:15
- 10. Theme and Variations in C sharp minor, Op. 73: Variation IX - Quasi adagio 1:10
- 11. Theme and Variations in C sharp minor, Op. 73: Variation X - Allegro vivo 1:11
- 12. Theme and Variations in C sharp minor, Op. 73: Variation XI - Andante molto moderato espressivo 1:55
- 13. Nocturne No.1 in E flat minor, Op. 33 No. 1: Lento 6:17
- 14. Impromptu No. 2 in F minor, Op. 31: Allegro 4:00
- 15. Nocturne No. 6 in D flat major, Op. 63: Adagio 7:58
- 16. Barcarolle No. 5 in F sharp minor, Op. 66: Allegro moderato 6:00
- 17. Nocturne No. 7 in C sharp minor, Op. 74: Molto lento 7:48
- 18. Impromptu No. 5 in F sharp minor, Op. 102: Allegro vivo 2:25
- 19. Nocturne No. 12 in E minor, Op. 107: Andante moderato 5:44
- 20. Nocturne No. 13 in B minor, Op. 119: Andante 6:44
- Vlado Perlemuter - piano
- FAURE
With the link between the two long careers of Vlado Perlemuter and Gabriel Fauré, this disc takes in a whole era of our musical history. As a teenaged pupil of Saint-Saëns, Fauré was already composing the first of his published songs by 1861 – just before Debussy’s birth, and fourteen years before Ravel’s. Sixty years later, in early 1920’s, Debussy was dead, Ravel had completed the major part of his musical output, a young blond pianist called Vlado Perlemuter had won the major prize at the Paris Conservatoire – and Fauré was putting to paper some of his last works, including the Thirteenth Nocturne of 1921. "The booklet tells us that Perlemuter recalls playing several of the works included to the composer himself, adding wistfully "he was very complimentary, but I don't know how much that means, for he had become quite deaf by then and could hardly hear me". So there can be few people on the platform today with longer or closer ties with this music ... the unaffected simplicity of this artist's approach has an eloquence all its own."