Recorded live at the Village Vanguard, New York, New York on April 9 & 10, 1999. Includes liner notes by Zoe Anglesey. LIVE AT THE VILLAGE VANGUARD won the 2001 Grammy Award for Best Latin Jazz Album. If Blue Note's alert microphones were present at Chucho Valdés's historic 1998 debut at the hallowed Village Vanguard, the results haven't officially landed in our CD machines yet. But the mikes were there, alright, the following year -- and they caught some virulent Cuban tempests (as the announcer warns, accurately, "There's a hurricane approaching from the Caribbean"). Yet the heat was turned up so much on Valdés's previous studio albums that the presence of a live audience only increases the temperature slightly here. Once again, Valdés's command of the keyboard is so technically staggering as to be stupefying, and he liberally throws in quotes from just about everything he ever absorbed -- from Chopin and Debussy to the Gershwins, Cecil Taylor and avant-garde strumming of the piano strings. He has so powerful an individual identity that "To Bud Powell" is more about Chucho than the late bop pianist. Yet the best, most fun track on the CD, "Punto Cubano," gives credence to the old saw about less being more. Built mostly around a simple tonic-dominant vamp; it has a Jarrett-like directness of melody and irresistible swing, though Chucho still isn't loath to turn on the big guns when desired. The long-running rhythm section of Francisco Rubio Pampin (bass), Raúl Pineda Roque (drums), and Roberto Vizcaino Guillót (congas), keeps Chucho all stoked up and steaming throughout the set. Also Valdés's sister, Mayra Caridad, lends a husky Miriam Makeba-sized voice to the not-so-peaceful lullaby "Drume Negrita." This is yet another excellent addition to the distinguished line of eventful Village Vanguard live sessions, brought to you through the politically neutral resources of EMI Music Canada. ~ Richard S. Ginell Personnel: Chucho Valdés (piano); Mayra Caridad Valdés (vocals); Francisco Rubio Pampin (acoustic bass); Raúl Píńeda Roque (drums); Roberto Vizcaino Guillot (congas). Francisco Down Beat (9/00, p.61) - - "...Explores all types of jazz and traditional Cuban rhythms and harmonic textures, with an astounding level of musical sophistication..." JazzTimes (12/00, p.136) - "...A refreshing, fun LAtin jazz romp that swings with virtuosity..."