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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
CHOPIN, FRANCK, DEBUSSY, Mischa Maisky, Martha Argerich
Maisky & Argerich Live in Japan
Mischa Maisky & Martha Argerich - Maisky & Argerich Live in Japan
01. Applause - Applause (0:21)
Chopin
02. Sonata for Cello and Piano in G minor, Op.65 - 1. Allegro moderato (15:03)
03. Sonata for Cello and Piano in G minor, Op.65 - 2. Scherzo (Allegro con brio) (5:03)
04. Sonata for Cello and Piano in G minor, Op.65 - 3. Largo (3:55)
05. Sonata for Cello and Piano in G minor, Op.65 - 4. Finale. Allegro (6:07)
Franck
06. Sonata for Violin and Piano in A major - 1.Allegretto moderato (6:27)
07. Sonata for Violin and Piano in A major - 2. Allegro - Quasi lento - Tempo I (8:12)
08. Sonata for Violin and Piano in A major - 3. Recitativo-Fantasia. Moderato (7:21)
09. Sonata for Violin and Piano in A major - 4. Allegretto poco mosso (6:02)
Debussy
10. Sonata for Cello and Piano in D minor - 1. Prologue. Lent (4:55)
11. Sonata for Cello and Piano in D minor - 2. Sérénade. Modérément animé (3:38)
12. Sonata for Cello and Piano in D minor - 3. Finale. Animé (3:45)
Chopin
13. Polonaise brillante, Op.3 - 1. Introduction. Lento (3:02)
14. Applause - Applause (5:56)
- Mischa Maisky - cello
- Martha Argerich - piano
- CHOPIN
- FRANCK
- DEBUSSY
AllMusic Review by James Leonard [-] What a recital this must have been! Individually, both Maisky and Argerich are among the best living players of their instruments: Maisky is a big-toned, full-blooded cellist and Argerich is a recklessly impulsive pianist blessed with a flawless technique. Together, Maisky and Argerich challenge each other to even higher heights, with Maisky singing like an operatic baritone and Argerich taking ever dangerous risks. And in this concert, Maisky and Argerich are at the top of their form, delivering performances that are, with one exception, among the most compelling ever recorded. Their Chopin sonata is far more passionate than any ever recorded: Maisky's playing makes the venerable Rostropovich performance seem restrained and Argerich's playing makes the piano part sound like the dazzling music it is, rather than a demure accompaniment to the cellist. Their Franck sonata has more ardent sensuality than the Act I Love duet from La bohème, with Maisky making a most convincing case for the work as a cello sonata. Their encore, Chopin's youthful Polonaise brilliante, succeeds in making the piece sound like more than a virtuoso trifle. Only Maisky's overly Romantic interpretation of Debussy's cello sonata is less convincing and, even there, the brilliance of Argerich's performance cannot be denied. This is as exciting a cello/piano recital as has ever been recorded.
