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BEETHOVEN, Sir Georg Solti, Chicago Symphony Orchestra

Symphony No. 9

  • 1. Allegro ma non troppo, un poco maestoso Chicago Symphony Orchestra 17:40
  • 2. Molto vivace Chicago Symphony Orchestra 13:57
  • 3. Adagio molto e cantabile Chicago Symphony Orchestra 19:46
  • 4. Presto - Allegro assai Pilar Lorengar 25:00
  • Sir Georg Solti - conductor
  • Chicago Symphony Orchestra - orchestra
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219.00 PLN

2 LP-180G 33rpm:

Nr kat.: 6BB121
Label  : SpeakersCorner

Chicago Symphony Orchestra Sir Georg Solti Pilar Lorengar - soprano Yvonne Minton - messo-soprano Stuard Burrows - tenor Martti Talvela - bas It was clear from the start that Beethoven’s Ninth Symphony, with its air of solemnity in the final chorus, which calls for brotherly love just as the New Year comes in, would become a musical part of our world’s cultural legacy. Hundreds of minds, Beethoven researcher Karl Nef prophesied, have been set in motion by this music in the most varied ways, and it will continue not only to bestow pleasure upon countless thousands, but also to stimulate mental life right at the most fundamental level. There are certainly only a very few truly cerebral interpretations which stand out from the fathomless mass of recordings. One of those upon which “The Absolute Sound” journal has stamped its coveted seal of approval is the recording with Georg Solti and his perfectly honed symphony musicians from Chicago. Here, this usually somewhat daring baton-wielder plumbs the very depths of the score and allows Beethoven’s rich abundance of ideas to ferment into a great whole. The four soloists prove their worth as first choice for the richly detailed and balanced synopsis of this fissured work. They captivate us as much in the solo as in the group singing with their natural and expressive intonation. The dry, very present sound highlights the fact that this is an artistic performance at the highest level.


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