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OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
WEBER, The Hanover Band, Roy Goodman
Horn Concertino / Overtures / Symphonies Nos. 1 and 2
Galeria okładek
ZamknijGaleria okładek
- Disc 1:
- 1. Overture: Euryanthe 9:08
- 2. Overture: Oberon 8:35
- 3. Overture: Der Freischütz 10:03 Album Only
- 4. Overture: The Ruler of the Spirits 5:37
- 5. Invitation to the Dance - orch. Berlioz 9:36
- 6. Overture: Abu Hassan 3:36
- 7. Overture: Peter Schmoll 8:39
- Disc 2:
- 1. Symphony No. 1 in C major: I. Allegro con fuoco 7:22
- 2. Symphony No. 1 in C major: II. Andante 6:06
- 3. Symphony No. 1 in C major: III. Scherzo: Presto 3:59
- 4. Symphony No. 1 in C major: IV. Finale: Presto 7:01
- 5. Horn Concertino in E major 12:34
- 6. Symphony No. 2 in C major: I. Allegro 9:49
- 7. Symphony No. 2 in C major: II. Adagio ma non troppo 4:42
- 8. Symphony No. 2 in C major: III. Menuetto: Allegro 1:26
- 9. Symphony No. 2 in C major: IV. Finale: Scherzo presto 2:33
- The Hanover Band
- Roy Goodman - conductor
- WEBER
79.00 PLN
2 CD:
Nr kat.: NI7062Label : Nimbus Records
In his 39 years (1786-1826), Weber managed an intense diversity of activity. As a pianist, Liszt admired him; as a conductor, he abandoned direction from the keyboard in favour of a consistent use of the baton and rearranged the positioning of the players in terms of tonal blend. As an opera director he exerted an influence on stage presentation by subtler lighting, costume and set design. As a writer of articles, letters and an autobiographical novel, he expressed his ideals with force, eloquence and humour; as a composer, among his achievements are the inception of German Romantic Opera and the development of imaginative orchestral techniques which were to influence Berlioz and Mahler and were admired by Debussy and Stravinsky.