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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
WAGNER, STRAUSS R., Kirsten Flagstad, Orchester der Stadtischen Oper Berlin, George Sebastian
Wesendonck-Lieder / Tristan und Isolde / Vier letzte Lieder / Elektra
- Kirsten Flagstad - soprano
- Orchester der Stadtischen Oper Berlin - orchestra
- George Sebastian - conductor
- STRAUSS R.
- WAGNER
These recordings were made on 9 and 11 May 1952 and document the latter part of Kirsten Flagstad’s career. They were made a few weeks before her 57th birthday, thus at a time when most sopranos will have been forced to change over to the so-called character fach. The Norwegian soprano however, even at this late stage, was still in almost full command of her incomparably rich voice, even after a demanding career spanning over three decades. The present recordings of two concerts given at the Berlin Titania-Palast with the Orchestra of the Municipal Opera are particularly noteworthy: on the one hand, the Wagner songs sound fresher and more present than in the recording made four years later under Hans Knappertsbusch; on the other, the Berlin live-recording of the Strauss songs is technically far superior to the recording made in London. By the way, in May 1950 Kirsten Flagstad had given the first performance of the “Four Last Songs” by Richard Strauss – at the request of the composer. A tribute to her unique status was also the multitude of her concert engagements: During the course of her career, she sang more than eighty parts in around 2100 performances and also gave approximately 250 concerts with orchestra and 600 recitals. >>> WYBRANE RECENZJE Z PRASY ŚWIATOWEJ <<<
