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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
WAGNER, Friedrich Schnorr, Karin Branzell, The Metropolitan Opera Orchestra and Chorus, Artur Bodanzky
Das Rheingold
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Classics Today Thursday September 26 02 Reference Recording – Solti (Decca); Karajan (DG) For Guild’s reissue of Wagner’s Das Rheingold as performed by the Metropolitan Opera forces on tour in Boston on April 3, 1937, restoration engineer Richard Caniell uncovers a noisier yet brighter, more vibrant lacquer transfer than the quieter, more muffled one he used for Naxos’ 1999 release. I defer to my colleague Robert Levine’s astute comments on the performance, which he reviewed in its Naxos guise (type Q67 in Search Reviews). Here, however, Caniell revises history. He edits out all of Doris Doe’s Erda and replaces her passages with Kerstin Thorborg’s commercial studio Victor recording of similar vintage. There’s no question that Thorborg’s powerful mezzo and dramatic authority convey Erda’s warnings more urgently than Doe’s relatively bland characterization. Non-interventionists may cry bloody murder, but the substitution works well, aesthetically and sonically. Naxos’ transfer preserves the original broadcast commentary, which helps put the performance in its original context, but so do Guild’s extensive and informative notes. I’d go for the Guild, unless you’re an announcement freak, a Doris Doe completist, or (perish the thought!) both. Jed Distler Metropolitan Opera Orchestra, Arthur Bodanzky - Conductor, Friederich Schorr - Wotan, Julius Huehn - Donner, Rene Maison - Loge, Eduard Habich - Alberich, Karl Laufkötter - Mime, Norman Cordon - Fasolt, Emanuel List - Fafner, Karin Branzell - Fricka, Dorothee Manski - Freia, Kerstin Thorborg - Erda, Stella Andreva - Woglinde, Irra Petina - Wellgunde, oris Doe - Flosshilde