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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
VIVALDI, Ensemble Barocco Sans Souci
Aurei Zeffiretti - Sonatas For Wind Instruments
ZamknijGaleria okładek
- Ensemble Barocco Sans Souci - orchestra
- VIVALDI
59.00 PLN
CD:
Nr kat.: cds538Label : Dynamic (Italia)
The great popularity that Vivaldi still enjoys today is linked to a great extent to his extraordinary violin concertos but, unlike most Italian violinist-composers of the age (from Corelli to Tartini, from Veracini to Locatelli) he also paid very particular attention to wind instruments. Vivaldi’s taste for wind instruments has a markedly international savour, for his scores accept instruments like the salmoé, the very modern two-key clarinet or again flageolets, instruments akin to the recorder and very popular in France and England. As well as these, of course, trumpets, horns and the more traditional recorders and flutes, oboes and bassoons, used in every kind of combination, with an attention to orchestral colours and chamber-like intertwining that truly have few equals. The recording focuses on Vivaldi’s chamber music, and, albeit with a relatively limited ensemble, offers a significant profile of the various instrumental forms and combinations adopted by the Venetian composer. The Padua Baroque Ensemble Sans Souci, founded by Giuseppe Nalin in 1986, dedicates itself especially to performing music dating from the mid-seventeenth to the end of the eighteenth century. . They have recorded 13 CDs, 11 of them with Dynamic.
