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VAET, Cinquecento

Missa Ego flos campi

  • 1 Antevenis virides [4'49] Jacobus Vaet (c1529-1567)
  • Missa Ego flos campi Jacobus Vaet (c1529-1567)
  • 2 Movement 1: Kyrie [4'35]
  • 3 Movement 2: Gloria [5'59]
  • 4 Movement 3: Credo [7'54]
  • 5 Movement 4: Sanctus and Benedictus [6'57]
  • 6 Movement 5: Agnus Dei [5'11]
  • with Bernd Oliver Fröhlich (tenor), Simon Whiteley (bass)
  • 7 Ecce apparebit Dominus [4'28] Jacobus Vaet (c1529-1567)
  • 8 Magnificat octavi toni [7'42] Jacobus Vaet (c1529-1567)
  • 9 Miserere mei, Deus [5'35] Jacobus Vaet (c1529-1567)
  • 10 Filiae Jerusalem [3'04] Jacobus Vaet (c1529-1567)
  • 11 Spiritus Domini [5'16] Jacobus Vaet (c1529-1567)
  • 12 Musica Dei donum [3'16] Jacobus Vaet (c1529-1567)
  • 13 Salve regina [6'41] Jacobus Vaet (c1529-1567)
  • 14 Ego flos campi [3'37] Jacob Clemens non Papa (c1510-c1555)
  • with Bernd Oliver Fröhlich (tenor)
  • Cinquecento - orchestra
  • VAET

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GRAMOPHONE EDITOR'S CHOICE 'Stunning … Cinquecento's one-to-a-part approach, with countertenors on the top lines, is ideally suited to this repetory and really works wonders … At telling moments they modulate their delivery to considerable expressive effect … This highly accomplished singing does not draw attention to itself (or at least, not unduly) but focuses attention squarely on the composer. But for his early death, Vaet would have almost certainly emerged as a leading figure of his generation … This deserves to be widely heard' (Gramophone) '[Spiritus Domini] A delicious feast of harmonic tension and inwardly-sensed architecture. Other gems include the expressive Miserere mei and a brilliant Salve Regina' (BBC Music Magazine)