Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
TIPPET, BRITTEN, BENNETT, WALTON, BERKELEY, Craig Ogden
The Blue Guitar and other 20th Century Guitar Classics
Galeria okładek
ZamknijGaleria okładek
- Sir Michael Tippett (born 1905)
- 1 The Blue Guitar - Sonata for solo guitar (1938) Transforming Medium Slow - Slow 8.12
- 2 Juggling Fast 3.04
- 3 Dreaming Very Slow 7.32
- Benjamin Britten (1913 - 1976)
- 4 Nocturnal, after Dowland, Op. 70 I Musingly 2.00
- 5 II Very agitated 0.46
- 6 III Restless 1.36
- 7 IV Uneasy 1.28
- 8 V March-like 1.39
- 9 VI Dreaming 1.57
- 10 VII Gently rocking 1.19
- 11 VIII Passacaglia 4.55
- 12 Dowland- 'Come, heavy sleep' 2.13
- Richard Rodney Bennett (born 1936)
- 13 Five Impromptus (1968) Recitativo 1.49
- 14 Agitato 1.09
- 15 Elegiaco 2.09
- 16 Con fuoco 1.10
- 17 Arioso 1.58
- Sir William Walton (1902 -1983)
- 18 Five Bagatelles (1971) Allegro 3.53
- 19 Lento 3.05
- 20 Alla Cubana 2.11
- 21 Sempre espressivo 2.17
- 22 Con slancio 2.23
- Sir Lennox Berkeley (1903-1989)
- 23 Sonatina, Op 52, No. 1 Allegretto 5.13
- 24 Lento 3.44
- 25 Rondo Allegro non troppo 3.52
- Recorded in the Concert Hall of the Nimbus Foundation, Wyastone Leys, Monmouth 0n 28-29 March and 12-13 September 1994
- Craig Ogden - guitar
- TIPPET
- BRITTEN
- BENNETT
- WALTON
- BERKELEY
59.00 PLN
CD:
Nr kat.: NI5390Label : Nimbus Records
"Ogden's playing oozes class, but always at the service of the music. He really does seem to be absolutely one of the very best of the new generation of guitarists, a real musician of style. The Bagatelles (William Walton) are known to contain their technical difficulties, yet listening to this player you'd never think it." Chris Kilvington, Classical Guitar Magazine August 1996