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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
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MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
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BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
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TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
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The Offspring
Ixnay On The Hombre
149.00 PLN
LP-160G:
Nr kat.: ORGM2034Label : ORG Music
Ixnay on the Hombre Review by Stephen Thomas Erlewine [-] The Offspring may have been a product of the Southern California hardcore scene, but their instincts have always been more metal than punk. Their guitars plod along with a heavy backbeat, and even their speedier numbers are weighed down by clumsy riffs, which is evident on Ixnay on the Hombre, the follow-up to the group's unexpected hit Smash. Despite Jello Biafra's opening assertion of the Offspring's punk credentials, Ixnay on the Hombre sounds like a competent hard rock band trying to hitch themselves to the post-grunge bandwagon. The riffs don't have hooks, and Dexter Holland yelps his vocals tunelessly. Of course, much hardcore followed this formula, but it got by on its self-righteousness and visceral forward force. Since the Offspring slow down the tempo of hardcore, it doesn't have either the undiluted rage of hardcore or the four-on-the-floor groove of hard rock. Also, they haven't come up with a ridiculous hook on the level of "Come Out and Play" or "Self Esteem," which leaves Ixnay on the Hombre as a tedious, turgid mess of anemic punk metal.