Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
The Clemencic Consort
La Fete De L'ane
muzyczne zarty i krotochwile z liturgii chrzescijanskiej
Haven?t we always known that blasphemous laughter will land us in trouble? ? Just think what happened in the monastic whodunit "The Name of the Rose" in which a god-fearing monk did his utmost to hide a book about laughter from curious eyes and so turned into a serial killer in old age. Actually, carnival merrymaking monks went unpunished in medieval times when they turned strict Christian values upside down once a year and celebrated a so-called 'Feast of the Ass' in their hallowed halls. First, a Boy-Bishop would be chosen from among the lower orders and choir boys who would read a burlesque, mock mass to hoots of laughter from the revellers. Meanwhile other monks played cards and dice at the altar, burned incense made of dung and old shoe soles and sang dirty songs. The Clemencic Consort has reconstructed the music for a lifelike 'Asses? Mass' from medieval manuscripts. Among profane songs, contrapuntal, polyphonic verses and melodies with an accompaniment based on fifths, we hear Gregorian chant accompanied by the growl, rattle and rasp of historical instruments. Of course, the singing is perfectly in tune and sounds quite lovely, but here and there it is intentionally off-key, too loud, or even oddly, foolishly sung. This satirical programme, full of contrasts with its ecclesiastical habitus and worldly vulgarity, explicitly invites us to join in the fun!
