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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
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Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
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La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
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DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
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Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
TCHAIKOVSKY, Alfredo Campoli, Ataulfo Argenta, The London Symphony Orchestra
Violin Concerto
- Alfredo Campoli - violin
- Ataulfo Argenta - conductor
- The London Symphony Orchestra - orchestra
- TCHAIKOVSKY
189.00 PLN
LP-180G 33rpm:
Nr kat.: LP43061Label : Analogphonic
Violinist Alfredo Campoli is backed by the London Symphony Orchestra conducted by Ataulfo Argenta for this ravishing performance of Tchaikovsky's violin concerto. "This is an outstandingly good record. Campoli brings to the Tchaikovsky a quite ravishing sweetness; and he brings to also, of course, a fabulous technique... In its combination of sweetness and display this is an entirely convincing reading; and Campoli is by no means alone in the skill he brings to bear on the music. For Argenta persuades the L.S.O. into being simultaneously a sympathetic accompanist and a dashing exponent of the tuttis; and Decca, too, have turned on one of their best recording, with a satisfying balance between soloist and orchestra, and brilliance and richness of tone to spare. Campoli allows himself that touch of lingering here, of Viennese Liebesleid there, which, allied with an easier-going movement, make for a very different reading from Heifetz." - The Gramophone magazine
