Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
TCHAIKOVSKY, SCRIABIN, GLAZUNOV, Andres Diaz, Samuel Sanders
Russian Romantics for Cello and Piano
ZamknijGaleria okładek
- 1. Morceaux (6) for piano, Op. 51: No 5, Romance
- 2. Etude for piano in B flat minor, Op. 8/11
- 3. Chant sans paroles (Song without words), for piano, Op. 2/3: No 3, Chant sans Paroles
- 4. Chanson triste, for piano, Op. 40/2: No 2, Chanson Triste
- 5. Morceaux de fantaisie (5), for piano, Op. 3: No 3, 'Melodie'
- 6. Children's Album: 24 Easy Pieces, for piano, Op. 39: No 18, Chanson Napoletane
- 7. Work(s)
- 8. Meditation, for piano in D major, Op. 72/5: No.5, Méditation
- 9. Cradle song, song for voice & piano, Op. 16/1: No 1, Berceuse
- 10. Russian Dance, for cello & piano
- 11. The Seasons, for piano, Op. 37: Barcarolle, 'June'
- 12. Valse sentimentale, for piano (or violin & piano) in F minor, Op. 51/6: No 6, Valse Sentimentale
- 13. Chanson Russes, for cello & piano ('Parasha's Aria'): Russian Maidens' Song
- 14. Poème for piano in F sharp major, Op. 32/1
- 15. Chant du ménéstral (Minstrel's Song) for cello & orchestra in F sharp minor, Op. 71
- 16. Pezzo capriccioso, for cello & orchestra (or cello & piano) in B minor, Op. 62
- 17. Morceaux (6) for piano, Op. 19: No 4, Nocturne
- Andres Diaz - cello
- Samuel Sanders - piano
- TCHAIKOVSKY
- SCRIABIN
- GLAZUNOV
Since winning the First Prize in the 1986 Naumburg International Cello Competition, Mr. Díaz has exhilarated both critics and audiences with his intense and charismatic performances. He has earned exceptional reviews for his “strongly personal interpretive vision” (The New York Times) and his “bold and imaginative” playing (TheBoston Globe) and was awarded the prestigious Avery Fisher Career Grant as well as a generous grant from the Susan W. Rose Fund for Music in 1998. Andrés Díaz’s numerous orchestral appearances have included return engagements with the Atlanta Symphony under the late conductor Robert Shaw; performances with the American Symphony at Carnegie Hall, the symphony orchestras of Milwaukee, Seattle, Rochester under Christopher Seaman, the Boston Pops and Esplanade Orchestras, the Chicago Symphony at the Ravinia Festival with Edo de Waart conducting, and the NationalSymphony Orchestra. Among the highlights of Mr. Díaz’s recent seasons are tours of Taiwan, Hong Kong,Korea, Japan, Hawaii, and Canada performing in recital and with orchestra; appearances in Chile, Venezuela, Argentina, the Dominican Republic; a series of concerts in the Soviet Union where he performed as soloist with Russia’s Saratov Symphony in the cities of Saratov and Moscow; and a tour of the major cities in New Zealand with the New Zealand Chamber Orchestra.
