Logowanie
Dlaczego wszystkjie inne nie brzmią tak jak te?
SpeakersCorner - OSTATNIE!!!!
RAVEL, DEBUSSY, Paul Paray, Detroit Symphony Orchestra
Prelude a l'Apres-midi d'un faune / Petite Suite / Valses nobles et sentimentales / Le Tombeau de Couperin
Samozapłon gwarantowany - Himalaje sztuki audiofilskiej
PROKOFIEV, Stanislaw Skrowaczewski, Minneapolis Symphony Orchestra
Romeo and Juliet
Stanisław Skrowaczewski,
✟ 22-02-2017
BARTOK, Antal Dorati, Philharmonia Hungarica
Dance Suite / Two Portraits / Two Excerpts From 'Mikrokosmos'
Samozapłon gwarantowany - Himalaje sztuki audiofilskiej
ENESCU, LISZT, Antal Dorati, The London Symphony Orchestra
Two Roumanian Rhapsodies / Hungarian Rhapsody Nos. 2 & 3
Samozapłon gwarantowany - Himalaje sztuki audiofilskiej
Winylowy niezbędnik
ClearAudio
Cartridge Alignment Gauge - uniwersalny przyrząd do ustawiania geometrii wkładki i ramienia
Jedyny na rynku, tak wszechstronny i właściwy do każdego typu gramofonu!
ClearAudio
Harmo-nicer - nie tylko mata gramofonowa
Najlepsze rozwiązania leżą tuż obok
IDEALNA MATA ANTYPOŚLIZGOWA I ANTYWIBRACYJNA.
Wzorcowe
Carmen Gomes
Celebrating the art and spirit of music - vol. 5 - Reference Songs
- CHCECIE TO WIERZCIE, CHCECIE - NIE WIERZCIE, ALE TO NIE JEST ZŁUDZENIE!!!
Petra Rosa, Eddie C.
Celebrating the art and spirit of music - vol. 3 - Pure
warm sophisticated voice...
SAMPLER - STS DIGITAL, Gregor Hamilton
Celebrating the art and spirit of music - vol. 2 - Love songs from Gregor Hamilton
...jak opanować serca bicie?...
SAMPLER - STS DIGITAL
Celebrating the art and spirit of music - vol. 1 - Leonardo Amuedo
Największy romans sopranu z głębokim basem... wiosennym
Lils Mackintosh
Celebrating the art and spirit of music - vol. 4 - A Tribute to Billie Holiday
Uczennica godna swej Mistrzyni
STRAVINSKY, Ernest Ansermet, L'Orchestre de la Suisse Romande
Symphonies
It is well known that the mature Stravinsky was candidly scathing about some of his early compositions. However, he did subscribe a measure of academic value to his very first symphony, if only to show how one should not compose. In the following decades he wrote his so-called neo-classical symphonies, but these too found no mercy in the eyes and ears of avant-garde extremists, and are thus among the most underestimated orchestral compositions of the 20th century.
The new aspiration to write with clarity and simplicity, and so turning away from late-romantic and impressionistic expression, is already found in the key of C major, which has no accidentals. But the compositional technique is tricky: sharp polytonal melodies grow out of tonal islands, which, however never result in pleasant-sounding cadences even after numerous attempts to do so.
The Symphony in Three Movements, too, breaks with tradition as regards its formal structure, which Stravinsky himself regarded as »naïve«. All the more intricate, however, is the ingenious melodiousness, which is unfolded with ballet-like rhythms by the whole orchestra.
This fresh, bold music definitely needs to be performed by an astute and dauntless ensemble – such as West-Swiss Orchestre de la Suisse Romande conducted by Ernest Ansermet, an ardent champion of modern works.
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