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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
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Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
STRAVINSKY, Anthony Marwood, Thomas Ades
Complete Music for Violin and Piano
- Suite d'après des thèmes, fragments et morceaux de Giambatista Pergolesi Igor Stravinsky (1882-1971)
- CD1
- 1 Movement 1: Introductione [2'06]
- 2 Movement 2: Serenata [2'43]
- 3 Movement 3: Tarantella [2'16]
- 4 Movement 4: Gavotta con due variazioni [3'54]
- 5 Movement 5: Minuetto e finale [4'20]
- 6 Pastorale [2'42] Igor Stravinsky (1882-1971)
- Airs du rossignol et Marche chinoise Igor Stravinsky (1882-1971)
- 7 Movement 1: Airs du rossignol [4'19]
- 8 Movement 2: Marche chinoise [3'27]
- Duo concertant Igor Stravinsky (1882-1971)
- 9 Movement 1: Cantilene [2'43]
- 10 Movement 2: Eglogue I [2'17]
- 11 Movement 3: Eglogue II [3'05]
- 12 Movement 4: Gigue [4'21]
- 13 Movement 5: Dithyrambe [2'51]
- CD2
- 1 Berceuse [2'48] Igor Stravinsky (1882-1971)
- 2 Prélude et Ronde des princesses [4'53] Igor Stravinsky (1882-1971)
- 3 Scherzo [2'41] Igor Stravinsky (1882-1971)
- 4 Chanson russe [3'18] Igor Stravinsky (1882-1971)
- Divertimento Igor Stravinsky (1882-1971)
- 5 Movement 1: Sinfonia [6'10]
- 6 Movement 2: Danses suisses [4'22]
- 7 Movement 3: Scherzo [3'01]
- 8 Movement 4a: Pas de deux. Adagio [2'48]
- 9 Movement 4b: Pas de deux. Variation [1'07]
- 10 Movement 4c: Pas de deux. Coda [2'05]
- 11 Danse russe [2'32] Igor Stravinsky (1882-1971)
- 12 Tango [3'39] Igor Stravinsky (1882-1971), arr. Samuel Dushkin (1891-1976)
- 13 Ballade [3'08] Igor Stravinsky (1882-1971)
- Suite italienne Igor Stravinsky (1882-1971)
- 14 Movement 5: Scherzino [1'30]
- 15 La Marseillaise [1'11] Igor Stravinsky (1882-1971) & Claude-Joseph Rouget de Lisle (1760-1836)
- Anthony Marwood - violin
- Thomas Ades - piano
- STRAVINSKY
59.00 PLN
CD:
Nr kat.: CDA67723Label : Hyperion
Stravinsky’s collaboration with the violinist Samuel Dushkin was a great artistic success, generating new works for the repertoire as well as arrangements of some of the composer’s most tuneful and popular works. Of these arrangements, Dushkin wrote that Stravinsky seemed ‘to go back to the essence of the music and rewrite or recreate the music in the spirit of the new instrument’. Reviewing the current performers in The Independent, Bayan Northcott writes that ‘these are no ordinary transcriptions. In reducing items from The Firebird or The Fairy’s Kiss to the violin and piano medium, Stravinsky rethought and respaced their every chord’. In the performing partnership of Anthony Marwood and Thomas Adès, Hyperion has a combination that seems to reignite the original flame of inspiration, creation and re-creation. --------------------------------------- BBC RADIO 3 CD REVIEW DISC OF THE WEEK 'This fabulous two CD-set offers so many pleasures it's hard to know where to begin … Adès handles the finger-twisting difficulties of the Duo Concertant with total aplomb, and has exactly the right incisive, luminous and chaste sound. Marwood, too, has that springy balletic quality always needed in Stravinsky, but he finds a myriad of colours to go with it: sly sentimental in the 'Chanson Russe' from Mavra, tender in the Duo. In all, it's a marvel' (The Daily Telegraph) 'Adès' touch with the piano parts is at once live-wire and beautifully stylish, with Marwood matching this flair for deftly characterised light and shade … The Pulcinella suite and Divertimento from The Fairy's Kiss both scintillate from start to finish … The recorded sound, too, has marvellous presence' (BBC Music Magazine)