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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
STRAUSS R., Andre Previn, Vienna Philharmonic
Eine Alpensinfonie / An Alpine Symphony
79.00 PLN
CD:
Nr kat.: CD80211Label : Telarc
This sumptuous work is made for the opulence of Telarc's sonics. The natural splendor of the sound of Stauss' own orchestra has been superbly and realistically captured in the Musikvereinsaal, retaining the Vienna Philharmonic's unique orchestral personality. In his third Richard Strauss release for Telarc, Andre Previn unleashes the power of the Vienna Philharmonic in a magnificent performance of one of the composer’s most gigantic orchestral works. This monumental “tone poem” involves over 150 performers, comprising the largest orchestra ever called for by Strauss. The piece paints a musical picture that recounts a twenty-four hour Alpine climbing expedition. To assist the listener, the work is divided into twenty-two descriptive sections, designated by the composer’s own titles. The progression begins with “Night,” continues through such segments as “Sunrise,” “Dangerous Moments,” “Mists Arise,” and ends again with “Night.” To enhance this musical embodiment of nature, Strauss employed effects such as an off-stage brass band to impersonate hunting horns, cowbells to evoke mountain meadows, and a thundersheet and wind machine to suggest a mountain storm. Strauss wrote Eine Alpensinfonie, which contains some of his most inspired music, between 1911 and 1915. The melodies are simple and tuneful, but the scoring is huge and polyphonically complex. Strauss employed the Wagerian technique of identifying various physical features and poetic concepts by musical themes or motives, which recur and evolve throughout the gargantuan work, making it particularly powerful and moving.