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STRAUSS, Johann, Erich Kunzel, Cincinnati Symphony Orchestra

Ein Straussfest

Erich Kunzel & The Cincinnati Pops Orchestra - Ein Straussfest

01. Explosions Polka, Op.43 (2:23)
02. In The Little Jelly Doughnut Woods Polka, Op.336 (3:39)
03. Champagne Polka, Op.211 (2:34)
04. Banditen Galop, Op.378 (2:47)
05. On The Beautiful Blue Danube Waltz, Op.314 (8:28)
06. Radetzky March, Op.228 (3:08)
07. Fire Festival Polka, Op.269 (2:40)
08. At The Hunt Polka, Op.373 (2:34)
09. Tales From The Vienna Woods Waltz, Op.325 (11:03)
10. Clear Polka, Op.45 (2:34)
11. Pizzicato Polka (2:35)
12. Thunder And Lightning Polka, Op.324 (3:45)

  • Erich Kunzel - conductor
  • Cincinnati Symphony Orchestra - orchestra
  • STRAUSS, Johann
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239.00 PLN


Nr kat.: LIMUHD064
Label  : FIM

jedna z najbardziej spektakularnych (bo amerykańka?) interpretacji walców Straussów

Ultra High Definition 32-Bit Mastering!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!

The magic of Vienna's Strauss family is captured here in a collection of waltzes, polkas and marches. These light orchestral pieces will have you humming and will set your feet in motion. From the Blue Danube to the Tales From The Vienna Woods Waltz, the Cincinnati Pops, under the direction of Erich Kunzel, perform these miniature works with flare and wit.

Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.

Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.

Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.

This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!


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