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STOCKHAUSEN, CAGE, VARESE, CHAVEZ, REICH, I Percussionisti della Scala

Percussion Masterpieces

  • 1. Tymperturbably Blue
  • Duke Ellington featuring The Percussion Section Jazz Party 4:26
  • 2. Malletoba Spank
  • Duke Ellington featuring The Percussion Section Jazz Party 3:37
  • 3. Music for Strings, Percussion and Celesta. 3: Adagio
  • Chicago Symphony Orchestra conducted by Rafael Kubelik A Classical Halloween - 27 Chilling Masterpieces 7:24
  • 4. Music For Strings, Percussion And Celesta, Sz 106: II. Allegro (Being John Malkovich 1999)
  • SWR Symphony Orchestra Classical Masterpieces As Heard In Comedies 7:26
  • 5. Artistry in Percussion
  • Stan Kenton Early Masterpieces - 1941-1946 3:14
  • 6. Zyklus
  • Renato Rivolta Maurizio Ben Omar Percussion Masterpieces 9:09
  • 7. Ionisation per 13 esecutori
  • Renato Rivolta I Percussionisti della Scala Percussion Masterpieces 6:47
  • 8. Tambuco
  • Renato Rivolta I Percussionisti della Scala Percussion Masterpieces 16:42
  • 9. Drumming (Frammento)
  • Renato Rivolta, Gianni Massimo Arfacchia, Elio Marchesini, Paolo Pasqualin Maurizio Ben Omar Percussion Masterpieces 18:45
  • 10. 3rd Construction
  • Renato Rivolta I Percussionisti della Scala Percussion Masterpieces 10:50
  • I Percussionisti della Scala
  • STOCKHAUSEN
  • CAGE
  • VARESE
  • CHAVEZ
  • REICH

Produkt w tej chwili niedostępny.

Percussion Masterpieces Live recording, Teatro alla Scala, 28.10.2007 I Percussionisti della Scala, Renato Rivolta Stradivarius are proud to announce a first co-production with the Teatro alla Scala, Milan. It's a live recording of a concert held last October during Italy's most prestigious festival of contemporary music: Milano Musica. The ensemble of I Percussionisti was formed in 1978 at the suggestion of Claudio Abbado.The name refers to the theatre where they are based and carry most of their activity. John Cage: "Maybe there's a link between poverty and music". Percussion instruments inhabit the whole world, also and especially in its poorer parts. A meeting of cultures that provides fertile ground. None of the composers considered here spared themselves the risk of such a clash. None indulged in facile exoticism or folkloristic effects. So there!