Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Stacey Kent, Julio Iglesias, Eva Cassidy, Aaron Neville, Carol Kidd, Janis Ian, Engelbert Humperdinck
His Master's Voice-Voice - Audiophile Reference Voice Record
- Stacey Kent - vocal
- Julio Iglesias - vocal
- Eva Cassidy - vocals, guitar
- Aaron Neville - vocal
- Carol Kidd - vocal
- Janis Ian - vocal
- Engelbert Humperdinck - vocal
ULTRA Analog CD - AAD is a Digital Copy Of The Master Tape - SILVER CD
Cząsteczki srebra są jednolite i mają stały współczynnik odbicia, co zapewnia równą, reprodukcyjną jakość dźwięku. Posrebrzany `CD 6N ma również wyższy współczynnik odbicia niż 24-karatowe złoto.
a little fox terrier sits inquisitively listening to his master's voice coming from the horn, the famous painting is one of the world's most recognized and best loved trademarks. The Nipper logo made his first appearance in advertising in 1900.
His master's voice in its original form, completed in early 1899, the picture showed the dog listening to a phonograph with a black horn.This is the version which was submitted for copyright by Francis Barraud on 11th february 1899 under the title 'Dog Looking At And Listening To A Phonograph'. Later Barraud decided to rename the painting 'His Master's Voice'. Barraud tried to offer it to magazines, and the Edison Bell company (leading manufacturer of the cylinder phonograph), but without any success. 'Dogs don't listen to phonographs,' was given as the reason.Then a newly firmed gramophone company, the Berliner Gramophone Company liked the painting and offered to buy it, if Barraud replaced the phonograph with a Berliner gramophone for the Edison cylinder machine. The artist made the changes and the revised painting was delivered on 17th October 1899.
UWAGA!
Płyta z dźwiękiem o pełnej dynamice! Odsłuch rozpoczynamy zatem od zmniejszenia poziomu wysterowania wzmacniacza. Dzięki temu będą mogli Państwo cieszyć się jakością nagrania analogowego w całej jego okazałości!
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