Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
SPOHR, Orchestra Della Svizzera Italiana, Howard Shelley
Symphonies Nos. 7 and 9
- 1 Symphony No 9 in B minor ‘The Seasons’ Op 143 [30'12]
- ]
- 7 Symphony No 7 in C major Op 121 [32'10] - ‘The earthly and divine in human life’ for two orchestras
- 10 Introduzione in D major† WoO5 — [0'50]
- 11 Festmarsch in D major† WoO3 [5'22]
- Orchestra Della Svizzera Italiana - orchestra
- Howard Shelley - conductor
- SPOHR
59.00 PLN
CD:
Nr kat.: CDA67939Label : Hyperion
'The performances are first rate, and the solo horn playing is glorious' (The Guardian) 'Performed with commitment and style by instrumentalists well versed in Spohr's musical particulars under Howard Shelley's glint-in-the-eye direction … There is a charm and genuineness that is readily apparent and which is welcome. The recording is first class' (IRR) We talk of the nine symphonies of Beethoven and Bruckner but what about the ten of Spohr? Howard Shelley and the Orchestra della Svizzera Italiana conclude their survey of his symphonies with two that push the boundaries of the genre itself. Both Nos 7 and 9 are programmatic works, something that Spohr along with Berlioz did much to champion. In the Seventh, titled ‘The earthly and divine in human life’ and inspired by a holiday in Switzerland, he uses not one but two orchestras to great colouristic effect. His Ninth explores that perennial favourite theme of composers from Vivaldi to Glazunov, the Seasons (though Spohr starts with winter rather than spring). As if that were not enough, Howard Shelley also offers the premiere recordings of a brief, powerful Introduzione and a triumphant, at times almost Rossini-ish, Festmarsch.