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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Sonny Rollins, Coleman Hawkins
Sonny Meets Hawk!
A bombastic summit meeting of the elder legend Coleman Hawkins and the (then) young man Rollins. Trading blows against hip and soft jazz standards, these sessions are the stuff that audiophile dreams are made of. Sonny Rollins is considered by many to be the best, or at least the most influential, modern-jazz tenor saxophonist. His elder Coleman Hawkins is widely acknowledged as the earliest innovator of the instrument, making him somewhat of a father figure to reed players; certainly, he was Rollins's biggest idol. On this 1963 session, Rollins and Hawkins teamed up in an interesting milieu. Hawkins sits in with Rollins's band, and, surprisingly, he plays in a bop-oriented mode. On the other hand, Rollins--in an attempt to further highlight the difference between the two horns--plays in an even more contemporary style. In fact, on "All the Things You Are" and "Lover Man," Rollins occasionally falls into the realm of atonality. As always, Hawkins's playing is fluid, graceful, and polished, while Rollins's sax work is brash, experimental, and angular. However, these obvious differences make SONNY MEETS HAWK! an extremely fascinating listen.
