Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
SMETANA, GLUCK, VIVALDI, BRAHMS, Nathan Milstein, Leon Pommers
Miniatures
Side One:
Bedrich Smetana (1824-1884)
1. From My Homeland
Christoph Willibald Gluck (1714-1787)
2. Melodie
Henri Wieniawski (1835-1880)
3. Mazurka In D Major, Op. 19, No. 2
Antonio Vivaldi (1675-1741)
4. Siciliano
Zoltan Kodaly (1882-1967)
5. It Rains In The Village
Frederic Chopin (1810-1849)
6. Nocturne In C-Sharp Minor, Op. Post.
Franz Ries (1846-1932)
7. Perpetuum Mobile
Side Two:
Pietro Nardini (1722-1793)
1. Larghetto In A Major
Johannes Brahms (1833-1897)
2. Hungarian Dance No. 2 In D minor
Jules Massenet (1842-1912)
3. Meditation
Igor Stravinsky (1882-1971)
4. Russian Maiden's Song
Maria Theresia von Paradis (1759-1824)
5. Sicilienne
Nikolai Rimsky-Korsakov (1844-1908)
6. Flight Of The Bumblebee
- Nathan Milstein - violin
- Leon Pommers - piano
- SMETANA
- GLUCK
- VIVALDI
- BRAHMS
Of its kind, the record is very well done. The classical numbers are played cleanly and purely. The virtuosic ones are properly so. The Smetana and Kodály (a song transcription) are both evocative works so attractive as to make one wish they were obtainable in another context. The recording, both of violin and piano, is excellent, and well balanced.?Gramophone It is a tribute to the artistry of Nathan Milstein that he is able to convert each of these miniatures - even something as trite as the "Meditation" from "Thais" - into little tonal gems, each properly set and beautifully projected. Here is a disc that should satisfy for years to come the greed of those who applaud at recitals only to hear more and yet more encores. - High Fidelity
