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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SHOSTAKOVICH, Jewgenij Mrawinskij, Leningrad Philharmonic Orchestra
Symphony No. 8
"Mravinsky's live recording of the Eighth is of capital importance, since it was he who gave the work its premiere...It is a performance of extraordinary vehemence and power, vivid contrast and bitter intensity. The curdled woodwind dissonances and huge climaxes of the first movement are given a shocking force not simply by sheer volume but by...playing at the very limit of their powers: it is not often these days that we hear a clarinet or an oboe played so loudly... The fact this is a concert performance increases one's respect for the risks taken: to expect trombones to play staccato at the furious tempo Mravinsky chooses...is really living dangerously, but they respond superbly, as do the belligerently precise trumpets... a performance which sees clearly that the real burden of emotion here lies in the strings...for a recapturing of the appalling shock this work must have caused (the Russians were expecting a "Victory Symphony"), Mravinsky's account demands to be heard: the Leningrad audience is struck dumb by it." (Gramophone)