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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SHOSTAKOVICH, Boris Petrushansky
24 Preludes and Fugues
- Boris Petrushansky - piano
- SHOSTAKOVICH
AllMusic Review by James Leonard [-] Although the title Dmitri Shostakovich Complete Piano Music, Vol. 1, is emblazoned on the exterior of this disc by Russian pianist Boris Petrushansky, the program's much more descriptive subtitle is revealed only in the interior: "The Great Miniatures." With 50 pieces lasting a minute or less on the program, these works are indeed brief in duration. However, as it might be argued that Chopin's preludes or Schubert's Impromptus are hardly miniatures except in length, it might likewise be argued that from the slightest of the Aphorisms to the weightiest prelude, Shostakovich's miniatures can have as much musical density and emotional gravity as his most monumental symphony. Thankfully, the exterior title is also accurately descriptive. As volume one of a complete Shostakovich piano music cycle, listeners can look forward to further recordings of the composer's piano sonatas and the preludes and fugues because, as Petrushansky establishes here beyond argument, he is a fabulous Shostakovich player. In piece after piece, from the bludgeoning Age of Gold Polka to the enchanting Dolls Dances, from the barbed Aphorisms to the bittersweet Preludes, Petrushansky has the lightness and irony as well as the deepness and tragedy, the powerful tone and steely touch, as well as the fantastic wit and tender intimacy of the great Shostakovich players. Stradivarius' sound is very real, but a bit too hard.
