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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SHOSTAKOVICH, Boris Petrushansky
24 Preludes and Fugues
- Boris Petrushansky - piano
- SHOSTAKOVICH
AllMusic Review by James Leonard [-] Although the title Dmitri Shostakovich Complete Piano Music, Vol. 1, is emblazoned on the exterior of this disc by Russian pianist Boris Petrushansky, the program's much more descriptive subtitle is revealed only in the interior: "The Great Miniatures." With 50 pieces lasting a minute or less on the program, these works are indeed brief in duration. However, as it might be argued that Chopin's preludes or Schubert's Impromptus are hardly miniatures except in length, it might likewise be argued that from the slightest of the Aphorisms to the weightiest prelude, Shostakovich's miniatures can have as much musical density and emotional gravity as his most monumental symphony. Thankfully, the exterior title is also accurately descriptive. As volume one of a complete Shostakovich piano music cycle, listeners can look forward to further recordings of the composer's piano sonatas and the preludes and fugues because, as Petrushansky establishes here beyond argument, he is a fabulous Shostakovich player. In piece after piece, from the bludgeoning Age of Gold Polka to the enchanting Dolls Dances, from the barbed Aphorisms to the bittersweet Preludes, Petrushansky has the lightness and irony as well as the deepness and tragedy, the powerful tone and steely touch, as well as the fantastic wit and tender intimacy of the great Shostakovich players. Stradivarius' sound is very real, but a bit too hard.
