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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCRIABIN, Stephen Coombs
Early Scriabin
- Sonata in E flat minor
- 1 Movement 1: i [7'46]
- 2 Movement 2: ii [6'06]
- 3 Movement 3: iii [4'40]
- 4 Valse in F minor, Op 1 [2'50]
- 5 Valse in G sharp minor [2'24]
- 6 Valse in D flat major [1'40]
- 7 Variations on a theme by Mlle Egorova [5'02]
- 8 Nocturne in A flat major [2'28]
- Two Nocturnes, Op 5
- 9 No 1: F sharp minor [3'04]
- 10 No 2: A major [2'22]
- 11 Sonate-fantaisie in G sharp minor, Op posth [7'03]
- 12 Fugue in E minor [2'49]
- 13 Canon in D minor [1'18]
- 14 Mazurka in B minor [1'54]
- 15 Mazurka in F major [2'36]
- Études, Op 8
- 16 No 12: D sharp minor. Alternative version [3'04]
- Two Pieces for Left Hand, Op 9
- 17 No 1: Prelude in C sharp minor [2'32]
- 18 No 2: Nocturne in D flat major [4'18]
- 19 Allegro appassionato, Op 4 [8'47]
- Stephen Coombs - piano
- SCRIABIN
25.00 PLN
CD:
Nr kat.: CDH55286Label : Hyperion
'A programme of fascinating rarities played with a touching sensitivity and affection … This record is a most impressive achievement, as beautiful in sound as it is endlessly thought-provoking' (Gramophone) 'This is remarkably attractive music. Warmly recommended' (Fanfare, USA) ------------------------------- Lovers of Scriabin's exotic, perfumed piano music, can not be without this disc. It conveniently collects all of Scriabin's early piano works that don't form part of a larger genre group (such as the complete preludes, already available on CDA67157/8, the complete études, CDA66607, or the complete sonatas, CDA67131/2). The largest work is, in fact, a piano sonata, but one that Scriabin abandoned as his musical language was developing so rapidly. He reworked the first movement to form the Allegro appassionato Op 4, and much of the rest of the work was lost for many years. It re-surfaced in 1970, and here it is played in a completion by Stephen Coombs himself. There are also attractive juvenile miniatures, and more mature works such as the two pieces for the left hand Op 9, and two Nocturnes Op 5; and, fascinatingly, an early version of the well-known Etude in D sharp minor Op 8 No 12 (the virtuoso work made famous by Horowitz and others). Stephen Coombs has already shown himself to be a stylish advocate of neglected Russian repertoire, and here he brings all his musicianship and idiomatic affinity to create an inspiring and illuminating disc. This is a must for those interested in the development of the uniquely individual composer. It goes some way to providing an answer to Stravinsky's exclamation: "Scriabin … where does he come from; and who are his forebears?".