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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCHUBERT, BARTOK, SZYMANOWSKI, PROKOFIEV, Sviatoslav Richter
Piano Sonata in C Minor, D. 958 / 15 Hungarian Peasant Songs / Two Pieces from Masques, Op. 34
AllMusic Review by James Leonard [-] So many live recordings of performances by Sviatoslav Richter continue to be uncovered and released that his fans have the happy dilemma of having to choose between many superlative versions of a piece. This December 1970 concert, taped at London's Royal Festival Hall, shows that although Richter performed the same works over and over again, he rarely if ever repeated himself. The opening and closing works, Schubert's C minor Sonata and Prokofiev's B flat major Sonata, are familiar to all the pianists' fans from many other live recordings, yet these performances are wholly new and fresh. Richter's C minor Sonata is tragic and powerful; the opening Allegro is titanic in conception and fearsome in execution, and he always brings out the lyricism of the composer's achingly beautiful melodies. The B flat major Sonata is heroic yet tender at heart, with a bludgeoning Allegro inquieto and a blistering Precipato surrounding a singing Andante caloroso. Bartók's 15 Hungarian Peasant Songs and two pieces from Szymanowski's Masques are much rarer; there are two extant Richter recordings of the Bartók and no extant recordings of the Szymanowski, at least so far. Both performances are outstanding, especially the rhapsodic account of Szymanowski's swirling Scheherazade. Though the recorded sound here is serviceable at best, the performances are magnificent, and any dedicated Richter admirer will want to hear them al