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Crosby, Stills & Nash
Crosby, Stills & Nash

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BEETHOVEN, Wojciech Rajski, Polish Chamber Piharmonic Orchestra
Symphony No. 7 in A major op. 92

Archie Shepp Quartet
True Ballads

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Guillermo Figueroa
On million dollar strings

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Tsuyoshi Yamamoto Trio, Isao Suzuki Trio, Ayako Hosokawa, Toshiyuki Miyama & The New Herd, Masaru Imada
The Famous Sound of Three Blind Mice Vol. 1

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The Electric Light Orchestra
Eldorado

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Lils Mackintosh
A Tribute to Billie Holiday

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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana

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Winylowy niezbędnik

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SPOHR, Orchestra Della Svizzera Italiana, Howard Shelley
Symphonies Nos. 3 and 6

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PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo

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SCARLATTI, Colin Tilney

Ladders to Heaven - 16 Late Sonatas

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Wykonawcy
Twórcy

Scarlatti, Alessandro (1660-1725) - Ladders to Heaven - 16 Late Sonatas 01. Allegro in C Major, K. 406 (3:55) 02. Allegro in C Major, K. 407 (2:48) 03. Andante in C Major, K. 398 (5:09) 04. Allegro in C Major, K. 399 (3:40) 05. Andante Spiritoso in G Major, K. 454 (5:06) 06. Allegro in G Major, K. 455 (3:11) 07. Allegro in D Major, K. 443 (4:48) 08. Allegressimo in D Minor, K. 444 (3:44) 09. Allegro in F Major, K. 518 (5:35) 10. Allegro Assai in F Minor, K. 519 (3:53) 11. Cantabile in A Major, K. 536 (5:42) 12. Prestissimo in A Major, K. 537 (3:49) 13. Allegretto in G Major, K. 538 (4:24) 14. Allegro in GMajor, K. 539 (5:48) 15. Allegro in Eb Major, K. 370 (3:57) 16. Allegro in Eb Major, K. 371 (3:43)

Colin Tilney - harpsichords

SCARLATTI

59.00 PLN

CD:

Nr kat.: DOR93253
Label : DORIAN (USA)

Domenico Scarlatti (1685-1757) must have seemed destined for the musical theater. He was the musically gifted son of Alessandro Scarlatti, the leading composer of Neapolitan opera of the day. He had two operas produced in Naples before he was twenty and within a few years was enjoying success in Rome, first in the service of the exiled Queen Maria Casmira of Poland and later as maestro of the Cappella Giulia in the Vatican. In 1719, at the age of 34, he suddenly abandoned his promising Roman career for a position as mestre de capela at the Portuguese court in distant Lisbon. Here, his duties included both the composition of sacred music and the musical instruction of the King's brother, Don Antonio, and daughter, the infanta Maria Barbara. When Maria Barbara was married to the Spanish infante in 1729, Scarlatti accompanied her to Spain where he remained as her music master (and spy for her father?) for the rest of his life. ?? John Phillips, 2002