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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SARASATE, Alfredo Campoli, Daphne Ibbott
Eight Spanish Dances / Navarra
Campoli, who is excellently recorded, is on precisely the right wavelength, leaving us in no doubt of how difficult these works are to paly and yet, paradoxically, making it all sound easy. Opus 23 No. 2, a zapateado and probably the least unfamiliar piece here, is a fine example, although so also is No. 2 of op. 21, a gracefully swaying habanera whose complex filigree is thrown off with the seeming casualness which is the essence of this sort of virtuosity. What is consistent throughout all nine items is the high, and memorable, quality of the melodies. Opus 22 No. 1, an Andalucian ballad, is fully of lovely tunes, as is the first piece of op. 23, a playera, with its sorrowful cadences. Occasionally, as in op. 26 No. 1, a kind of fandango and the longest item here, this is done in the grand manner, yet never too much so. In the exhilarating "Navarra" Bunt matches Campoli well, and Ibbott is a good accompanist; but all the interest is in the violin throughout.
