Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
ROZSA, BARTOK, Andrew Litton, Bergen Philharmonic Orchestra,
Viola Concertos
- Viola Concerto, Op 37 Miklós Rózsa (1907-1995)
- 1 Movement 1: Moderato assai [13'26]
- 2 Movement 2: Allegro giocoso [5'07]
- 3 Movement 3: Adagio [6'17]
- 4 Movement 4: Allegro con spirito [7'34]
- Viola Concerto, Sz120 Béla Bartók (1881-1945), arr. Tibor Serly (1901-1978)
- 5 Movement 1: Moderato [13'05] English Français Deutsch
- 6 Movement 2: Adagio religioso [4'04]
- 7 Movement 3: Allegro vivace [4'17]
- 8 Rhapsody for viola and orchestra [8'54] Tibor Serly (1901-1978)
- Andrew Litton - conductor
- Bergen Philharmonic Orchestra, - orchestra
- ROZSA
- BARTOK
59.00 PLN
CD:
Nr kat.: CDA67687Label : Hyperion
The British viola player Lawrence Power continues to be acclaimed as one of the greatest performers of today. Together with Hyperion he is recording all of the seminal twentieth-century works for the viola. Of the three Hungarian works for viola and orchestra on this latest release, the best-known is Bartók’s viola concerto, completed after the composer’s death by Tibor Serly. Serly was Bartók’s most constant and trusted Hungarian musician-friend in his last years in the USA. William Primrose (who edited the viola part himself) was able to premiere Serly’s recension of the music on 2 December 1949, with the Minneapolis Symphony Orchestra conducted by Antal Dorati. Almost immediately it was recognized as one of the major contributions to the small literature of concertos for the viola, and has been a cornerstone of the instrument’s repertoire ever since. Serly’s own Rhapsody for Viola and Orchestra dwells somewhat within Bartók’s shadow, but is nevertheless a skilful and elaborate work with a rollocking finale. The disc is completed by a modern viola concerto by the film composer Miklós Rózsa. The overall impression of the work is individual, darkly Romantic, and authentically Hungarian in inspiration.